A Quote by Michael Emerson

I had started out my grown-up life in New York City, but I couldn't figure out how to be an actor there. And so I had been a magazine illustrator instead. — © Michael Emerson
I had started out my grown-up life in New York City, but I couldn't figure out how to be an actor there. And so I had been a magazine illustrator instead.
When I first went to New York, I didn't really go out to clubs. It was the height of Culture Club so I didn't really have a social life. It was only after I had been to New York a few times that I started going out.
In truth, I was desperate to leave New York. And Moscow was a special place for me. It was the city where my parents had grown up, where they had met; it was the city where I was born.
New York had a big influence on me growing up, and I was really part of the club scene - the Mudd Club and Studio 54. When you're living in New York, you are just bombarded with style, trying to figure out how to be cool and how to feel relaxed at the same time.
Overwhelm, panic, and wanting to flee were states of being in my everyday life as I tried to figure out life on my own, in the city I had grown up in, after an entire life made in Olympia, Washington for the eight years previous.
I had to build my name here by doing talent nights, talent competitions and networking and meeting all the working girls and figure out how to work this animal of New York City.
I just started trying to figure out how to write [something] which was unlike anything anybody had ever seen, and once I felt like I had figured that out I tried to figure out what kind of book I could write that would be unlike anything anybody had ever seen. When I started writing A Million Little Pieces I felt like it was the right story with the style I had been looking for, and I just kept going.
I've lived in New York City all my life. I love New York City; I've never moved from New York City. Have I ever thought about moving out of New York? Yeah, sure. I need about $10 million to do it right, though.
I close my eyes. An image flashes—emerging from the van with Julian after our escape from New York City; believing, in that moment, that we had escaped the worst, that life would begin again for us. Instead life has only grown harder.
I'm living every ten-year-old boy's fantasy. The other day, Chris and I had this big scene where we had to pull out our guns, and I was thinking, 'Here we are in New York City - a place where every actor wants to be - and we are literally playing cops and robbers. How great is that?'
I've had a relatively charmed life. I loved to be out in the city. New York was my town. I've had people come up to me and say, 'You're a great New Yorker. You've given your time and money to so many New York charities. You're a great supporter of the arts. I like some of your movies - and some of your movies suck, actually.'
A friend told me about the casting notice for 'Queer Eye.' I was in Chicago and I had a contract with 'Esquire' magazine, so had been coming to New York City regularly and thought I'd catch a cheap flight, crash on a friend's sofa and do this hilarious audition that I had no chance of winning.
Some of the French surrealists at the beginning of the war had come over to New York and they brought out this magazine. It was a big, glossy magazine full of surrealist things.
In 1998, Vanity Fair asked me to write a big piece for them on the 50th anniversary of the New York City Ballet. My life, to a great extent, had been spent at and with the New York City Ballet, and I decided to try it. It was very scary, writing about something I loved so much and had such strong opinions about.
I had grown up and gone to high school in New York, so I wanted to get out of the east coast.
I knew I wanted to be an actor for a long time, but I was based out of Chicago and then I went to New York and I did 'The Upright Citizens Brigade' out there. I had a two-man show with a guy named Oliver Ralli who's now in the band Pass Kontrol, which is a big band out of New York.
I'm from New York, and I started in New York, which I think is a huge advantage because I wasn't overwhelmed by the city. I understood the city. All of the distractions that could come with somebody that started comedy in New York didn't really happen for me.
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