A Quote by Michael Ende
He had been through a good deal in the course of the Great Quest — he had seen beautiful things and horrible things — but up until now he had not known that one and the same creature can be both, that beauty can be terrifying.
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I didn't want my son to see the same things I had seen growing up or have to go through the same things I went through.
I was a new person then, I knew things I had not known before, I knew things that you can know only if you have been through what I had just been through.
Oh, well...up until now it had been a good day, in a horrible kind of way.
When he thought of her, it rather amazed him, that he had let that girl with her violin go. Now, of course, he saw that her self-effacing proposal was quite irrelevant. All she had needed was the certainty of his love, and his reassurance that there was no hurry when a lifetime lay ahead of them. Love and patience- if only he had had them both at once- would surely have seen them both through.
I had seen faces in photographs I might have found beautiful had I known even vaguely in what beauty was supposed to consist. And my father's face, on his death-bolster, had seemed to hint at some form of aesthetics relevant to man. But the faces of the living, all grimace and flush, can they be described as objects?
She raised her eyes to his. They had both come from misery, she thought, and survived it. They had been drawn together through violence and tragedy, and had overcome it. They walked different paths and had found a mutual route. Some things last, she thought. Some ordinary things. Like love.
At that moment a very good thing was happening to her. Four good things had happened to her, in fact, since she came to Misselthwaite Manor. She had felt as if she had understood a robin and that he had understood her; she had run in the wind until her blood had grown warm; she had been healthily hungry for the first time in her life; and she had found out what it was to be sorry for someone.
She adored all beautiful things in their every curve and fragrance, so that they became part of her. Day by day, she gathered beauty; had she had no heart (she who was the bosom of womanhood) her thoughts would still have been as lilies, because the good is the beautiful.
I think Jennifer Lawrence is that inside of herself. As long as I've known her she's been both 10 years old and 50 years old. And we've watched her grow up since she walked on "Silver Linings Playbook" as a 20-year-old and had not been - "Hunger Games" had not come out. And I've watched her have to take on and deal with a great deal of attention and resources and people.
I'd seen another shade of him, and if it had been light where we were now, he'd have seen the same of me. So I was grateful, as I had been so often in my life, for the dark.
150 years ago in [Charles] Dickens's time there was at least a sense of craft. So some of the things people had inside of them, they had the possibility of expressing in the making of things - even in a daily way with their clothes or their food. People made a good deal of both themselves. Now our daily lives are almost all consumption. Craft plays a tiny role.
When you're dying and your life is flashing before your eyes, you're gonna be thinking about the great things that you did, the horrible things that you did and the emotional impact that someone had on you and that you had on somebody else. Those are the things that are relevant. To have some sort of emotional impact that transcends your time, that's great. As long as you don't mess it up by being undignified when you're old.
And they did have fun, though it was of different kind now. All that yearning and passion had been replaced by a steady pulse of pleasure and satisfaction and occasional irritation, and this seemed to be a happy exchange; if there had been moments in her life when she had been more elated, there had never been a time when things had been more constant.
I have great family and friends that do not treat me like Queen Latifah. We've all grown with this thing, they have sacrificed part of there anonymity; they've had to deal with rumors and things in the paper and they've had to take this ride along with me and they've taken it and we've had a good time.
I had been at the director's workshop for women at the AFI, which at the time was a great thing to do. I had always meant to direct, and for a variety of reasons that are hard to explain, I never did. I produced many things - there'll be people who tell you I directed through them - and of course I wrote. It took a divorce, a move back to New York and a kind of "now I can do anything" to say, "I really want to do this."
The lights were off so that his heads could avoid looking at each other because neither of them was currently a particular engaging sight, nor had they been since he had made the error of looking into his soul. It had indeed been an error. It had been late one night-- of course. It had been a difficult day-- of course. There had been soulful music playing on the ship's sound system-- of course. And he had, of course, been slightly drunk. In other words, all the usual conditions that bring on a bout of soul searching had applied, but it had, nevertheless, clearly been an error.
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