A Quote by Michael Eric Dyson

Whiteness itself is artifice, is fiction, is a construction, is narrative, is myth. And I seek to deconstruct all of that, to challenge the accretion, the intellectual accretion, the philosophical secretion that generates within the edifice of white supremacy that allows people easy escape, and egress. And I'm saying, "No, you can't leave now. You cannot afford to not know what I'm talking about, because you gotta be held accountable."
I'm just challenging white supremacy at its intellectual heart every day. It's a pedagogy that I deploy against some of the most vicious resistance to blackness that whiteness is able to throw up. I engage in a lot of intellectual combat with supremacists and with the predicate of white supremacy and white indifference to black identity, and brown and red and yellow identity too, for that matter.
You can tell within a sentence if something is fiction or non-fiction. You can tell in the artifice of the language or the care of the construction the difference between art and life.
I believe that also it should be stressed and made clear that our antagonistic position is not to say "I don't like whites" for the simple fact of not liking white people. It's like, our fight is not against the white person per se, but against the exercises of white supremacy and the form in which whiteness and the politics of whiteness operates.
When I'm around people having conversations about their day, I'm looking at them, like, 'What could they possibly be talking about? How are we not talking about deconstructing white supremacy right now? How are we not trying to save trans people?'
If we're united, I wouldn't care about a White school board getting me a little something. The hell with the school board; that's the White supremacy board and the White supremacy board wants you reading stupid books rooted in the idea of White supremacy. I don't want a thing to do with White supremacy.
A gritty grain of truth lay at the heart of most legends, she had told me, and the slow accretion of fiction hardened in layers around it.
Tears are scientifically described as a Secretion. I can understand that a secretion may be healthy or unhealthy, but I cannot see the interest of a secretion from a sentimental point of view.
I think the idea that you're somehow rejecting whiteness if you don't identify yourself as biracial is odd because everybody engages in whiteness. If you live in America, you're doing whiteness all the time, even if you have no white people in your family.
By expanding the legal authority of law enforcement agencies - without addressing the infiltration of white supremacy within law enforcement - we are expanding the capacity of white supremacy itself.
Emmitt Till had walked into a cultural narrative in which his role was already tragically written. It was a narrative designed to preserve white supremacy. So it gave power - the right to kill - to any white claiming to defend the honor of white women.
For me and my drag, I think camp is about exaggeration and artifice and the celebration of superficiality. A lot of my fans look up to me as a figure of femininity but that's all artifice. That's all fake and that's campy within itself, and so that's what resonates to me: the seriousness and the funniness and the artifice and the exaggeration.
Those who politically theorise the artificial concept of 'whiteness' infer that anyone who has white skin cannot escape their unconscious bias. If you object, you are accused of failing to come to terms with your white privilege.
We delude ourselves if we believe that skilled behavior is easy, that it can come about without effort. We forget the years of tuning, of learning and practice it takes to be skilled at even the most fundamental of human activities: eating, walking, talking, reading, and writing. It is tempting to want instant gratification - immediate expert performance and experiential pleasure - but the truth is that this primarily occurs only after considerable amounts of accretion and tuning.
The interesting thing about white power and the desperate white knuckling grip on this thing call whiteness, which is a myth in itself, is that black folks... we're not asking you to invent new laws for us. We're asking you to include us in the laws that are already on the books.
Or is anyone's identity a matter of fragments held together by convenient or useful narrative, that in ordinary circumstances never reveals itself as a fiction? Or is it really a fiction?
Science fiction is the most important literature in the history of the world, because it's the history of ideas, the history of our civilization birthing itself. ...Science fiction is central to everything we've ever done, and people who make fun of science fiction writers don't know what they're talking about.
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