A Quote by Michael Eric Dyson

What I'm talking about is both political and then also extra-political. Because what Donald Trump is doing is not simply to be measured in terms of its political effect. It's the very spiritual uplift of the nation. It's the very tenor and tone, morally speaking, of what this country is about. And so the unleashing of these fierce and ferocious beliefs have a potential impact that is quite deleterious, quite negative, quite destructive. And I think we have to say something.
The Conquest is not a film about Nicolas Sarkozy - it's a film about political conquest. It's a Shakespearean expression, where we have all the elements of a drama, both political and personal at the same time. The decors and the costumes are all based on real photos - I wanted to be as close to reality as possible. Nicola Piovani's theatrical music gives a distance that's almost Chaplinesque, there's something quite funny. There's no imitation, no caricature, no parodie - it's realism with a distance where the dialogues are often quite funny.
If there are political programs on TV, yet it takes an artist to actually energize political debate, that tells you something really quite frightening about the level of the political debate happening on mainstream channels - right-wing-biased mothers.
If you think about what folks have been doing for 20 or 30 years, they have been bottling frustration and resentment that the political elites don't understand them, that the political elites don't care about them, that the political elites judge them in various ways. All Donald Trump does is provide the opposite of those things.
You have this all the way through this cabinet so that I think there are a lot of other things to worry about [Donald] Trump. But in conventional political terms, this is a cabinet that I think is going to have a very hard time delivering to the base that Trump courted in this election.
Hitchcock's got a very interesting voice; it's a very controlled, measured rhythm that's quite slow and, in that sense, also felt quite controlling in its pace. He retained something from his childhood, that London sound, as well as adopting some of the L.A. sounds... All of this helps you create the character.
I try as hard as possible not to be pessimistic because I have never thought or believed that creating a Nigerian nation would be easy; I have always known that it was going to be a very tough job. But I never really thought that it would be this tough. And what's going on now, which is a subjection of this potentially great country to a clique of military adventurers and a political class that they have completely corrupted - this is really quite appalling. The suffering that they have unleashed on millions of people is quite intolerable.
It's very easy for one talking about violence and hatred for the white man to appeal to [Negro from ghetto]. I have never thought of this, but I think this is quite true, that if, even if you talk to them about nonviolence from a tactical point of view, they can't quite see it because they don't even know they're outnumbered.
When I was younger, I used to be very impatient with anyone who wasn't doing overtly political work. I've since come to feel that some writers have an appetite or a need for the political, for political discourse, for historical political subjects.
We have this powerful ideological basis to the country that I don't think any other country in the world quite can brag about. It's a very complicated nation, and it's very fertile.
Donald Trump is a different ball of wax. I've been trying to say for I don't know how many months now that the traditional political playbook in destroying and attacking a political opponent is not gonna work on Trump, because Trump's connection with his supporters or his audience is far deeper and far greater than most voters' connection with a candidate that's very popular. Reagan had the connection.
I mean, putting women in the center of a movie and not talking about men, that's already political, right? And you know, political doesn't mean that it sends this message or that is has a statement. It's also political in its aesthetic project.
Someone like Einstein was quite clearly a moralist, and he had a very highly developed political vision and was very spiritual in his way, and there are many biologists and physicists of the first order who are like that.
I think what it really means is a recognition that Donald Trump has the potential to take over the Republican Party and change it into something that`s very different than what it`s been in the past. I don`t just mean in terms of tone. I mean in terms of policy, I mean in terms of every respect.
The Israel stories were really hard for me to write, because I think that my book is very much about politics, but it isn't political. It really was important for me to not have a political agenda at all, because I have a hard time stomaching any political fiction that feels message-y.
In my book, the Arab Awakening, I talk about the fact that we have to move from this. All the contemporary ideologies of political Islam have been based on the nation state. The nation state is very problematic but I'm not sure if we have an alternative political model.
Whether you want it or not, your genes have a political past, your skin a political tone. your eyes a political color. ... you walk with political steps on political ground.
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