A Quote by Michael Eric Dyson

[The World Series] introduced me for the first time to a team with a lot of black players. Detroit had about three of them: I think it was Willie Horton, Gates Brown, and Earl Wilson - might have been one or two more in '68.
I was first introduced to August Wilson in the 80s when Charles Dutton did Ma Rainey and James Earl Jones and Courtney Vance did Fences. I've long considered August Wilson to be one of the five greatest playwrights in American history.
In a way, you might say that David Duke is the son of Willie Horton. Duke is more overt, of course, but he's really just pushing the same buttons and sending the same coded messages that the Horton ads did so effectively for the Bush campaign last year.
There have only been two authentic geniuses in the world, Willie Mays and Willie Shakespeare and I think you'd better put Shakespeare first, darling.
During my time, there might have been one pitcher or two that were top pitchers on a team. Teams that won maybe had three, but today they have a lot of depth. They have a lot of long relievers, short relievers, and the strategy is different.
I've had a dozen people tell me, maybe more, 'What would have happened if Michael Brown had shot and killed Darren Wilson? Do you think he would be free right now? Do you think he would not have been charged by now?' People just see this manifest double-standard in front of them that's coming at the long line of a whole bunch of grievances that have built up over time because of the dynamics of Ferguson and frankly, the dynamics of race in America more broadly.
I'll never forget that first night with the team. Going to the ballpark on the bus was the hardest 30 minutes of my life. I had to walk down that aisle between all the players. I really didn't know too much about the Detroit Tigers at that time.
There's always two or three players I like, and why I like them, I can't tell you. There's just something about them I think would be great on a team.
Presidents Reagan and the first George Bush never used the vile language of some Trump supporters, but both blamed scarce resources and decaying communities on 'welfare queens' and black criminals like Willie Horton.
The great thing about [Michael] Jordan was that he made them want it just like he wanted it. And a lot of times like a lot of the basketball players, not to be getting on basketball, but, with a lot of the basketball players you might have one superstar on the team, and they're not willing to play up to par with the way he is, so they don't make it. But then you have some celebrities on the basketball team, and they don't know how to get along with each other!
Think of the question of mass incarceration. Think of the coding that the Republican Party has used for years, whether they're talking about Obama or blacks or Willie Horton.
In the case of 'Blood Stone,' the producers, EON, Michael Wilson, Barbara Broccoli, David Wilson and Gregg Wilson, had an idea for a story and had a lot of it done. And I came in, worked with them, fleshed it out.
Michael Brown was a criminal who had robbed a convenience store and then attempted to kill Police Officer Darren Wilson. Michael Brown never raised his hands above his head and never tried to surrender. He was killed in self-defense by Officer Wilson after Brown first attempted to take the officer's weapon away and then charged at him.
I think of what's happening in Detroit as part of something that's much bigger. Most people think of the decline of the city as having to do with African-Americans and being in debt, and all the issues like crime and bad housing. But what happened is that when globalization took place, following World War II, Detroit's role as the center and the symbol of industrialization was destroyed. It wasn't because we had black citizens mainly or a black mayor; it was because the world was changing.
Oscar Charleston was the Willie Mays of his day. Nobody ever played center field better than Willie Mays. Suppose they had never given Willie a chance, and we said that, would anybody believe there was a kid in Alabama who was that good? Or there was a black guy in Atlanta who might break Babe Ruth's home run record? No.
At 68 I'm every age I ever was. I always think of that. I'm not just 68. I'm also 55 and 21 and three. Oh especially three.
[On Willie Mays] He was something like zero for twenty-one the first time I saw him. His first major league hit was a home run off me and I'll never forgive myself. We might have gotten rid of Willie (Mays) forever if I'd only struck him out.
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