A Quote by Michael Fassbender
I always approach film as a fan.
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I used to set out and do a film and say, 'This is going to be the biggest film I've ever done.' But that's not the right approach. The approach should be the work.
I'm a huge fan of film primarily. But, you can get a great TV show and get attached to it. Making a great film is forever though; so I always want to be part of film. It's my first love.
My approach to 'Eastenders' is the same as my approach to film and the same approach to theatre. Whatever I do, I use the same skills and tools.
I want to go wherever there's great work. I'm a huge fan of film primarily. But you can get a great TV show and get attached to it. Making a great film is forever, though, so I always want to be part of film. It's my first love.
I always try to approach a film from the point of view of the director.
I'm a huge fan of film and always have been.
I'm always a fan of a good horror film.
I've always been a fan first and foremost - obsessing over bands and seeking out bands, and spending hours and hours listening. When I played music, the scope of my fandom became more myopic; I was focusing on the bands we were touring with, or the bands on the label. And you're always positing yourself in relation to other bands. Since I haven't been playing, I feel a little less cynical. I'm able to seek out music and approach it strictly as a fan.
For me, it's always difficult when a historical film claims to depict or represent a reality that none of us can know, that is always different. It's always the case. We never know what happened then. So my approach with the narrator is to question that, to leave that open, to underline the fact that this is uncertain.
Well, I had always been a fan of 'The Office' and thought the mockumentary style of the show was hilarious. So with 'Parks' taking the same approach, it drew me in right away.
I was always such an incredible fan of John Woo, I just wanted to do this film with him.
I believe that every character I create is in their own film, that happens to overlap with the main film. There are complete and real characters, even though we only spend only a little time with them. In the approach to what those entities are, that always appeals to an actor. What are they, since they are going to embody this character?
It's always been strange to me that someone can say they're a vampire fan. I'm not a non-fan, but it's such an unusual thing to be a fan of. That's like saying, "I love zombie movies! I just love 'em! They're my favorite!" That's more of a psychological problem than being an actual fan.
But it wasn't just a technical approach towards the piano, studying the music for this film was also a way of approaching the soul of the film, because the film is really about the soul of Schubert and the soul of Bach.
I'm always a big fan of if you approach somebody politely about something and you're not a nudge - you're just pretty honest and simple, my kind of philosophy is that I'm not afraid of 'no,' and that's way different than 'I won't take no for an answer.
I'm always a big fan of if you approach somebody politely about something and you're not a nudge - you're just pretty honest and simple, my kind of philosophy is that I'm not afraid of 'no,' and that's way different than 'I won't take no for an answer.'
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