A Quote by Michael Flatley

Since I was a kid, I've been a dancer, and, of course, I'll always be a dancer till the day I die. — © Michael Flatley
Since I was a kid, I've been a dancer, and, of course, I'll always be a dancer till the day I die.
I started out as a dancer as a kid; I've been dancing since I was 4. So performing was always part of what I was.
I wanted to be a ballet dancer. I was bad - I'm not very coordinated. But I always wished I could have been a dancer.
I always wanted to be a dancer. I danced for maybe 16 years. So I would have loved to have been a dancer in the past.
Bubbles was a very good dancer. Tremendous dancer. He was one of our leading dancers of the country at that time. And, of course, he didn't have much of a voice.
I'm a tap dancer. Once you're a tap dancer, you're always a tap dancer. In 'After Midnight,' I get to dance, but I don't do a full tap number.
What I found interesting in dance is the idea that my work has always been dealing with the nervousness between the human subject as a subject and the human subject as a form. And if you look at my dance films, there are always these cuts between the dancer as a form, the dancer as a subject, and this kind of very harsh treatment of the dancer as someone who's actually drawing with their body.
I started out as a dancer as a kid; I've been dancing since I was 4. So, performing was always part of what I was. I don't know if it I enjoyed the response I got from people or if I liked having an audience, but there's something in me that wanted to perform.
I started out as a dancer as a kid; I've been dancing since I was 4. So performing was always part of what I was. I don't know if it I enjoyed the response I got from people or if I liked having an audience, but there's something in me that wanted to perform.
Forget the dancer, the center of the ego. Become the dance. Then the dancer disappears and only the dance remains. Then the dancer is the dance. There is no dancer separate from dance, no dance separate from the dancer.
I consider myself an actress first, a dancer second, and a singer third. Why? Because the dancer needs a reason to move-that's the actor informing the dancer. So I worked on my acting and gradually developed a singing voice.
A good dancer is not necessarily defined by great technique, skill, or ability to pick up choreography but by confidence. When you feel the music, it penetrates to your soul. Everybody's a dancer. The greatest dancer is someone who is willing to dance, not afraid.
Dance was always part of my life because I was a dancer and my mother was a dancer, and I love the theater.
If I had an extra 20 or 50 years physically, I could have been the dancer of my dreams. But I never became that dancer.
If I was trained as a dancer then I probably would have been a dancer, and I'm not.
I've always been a dancer, and I will always be a dancer.
Still, I started as a group dancer and became known to the public as a dancer. So, dancing will always remain close to my heart.
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