A Quote by Michael Foot
The only man I knew who could make a curse sound like a caress.
Related Quotes
Bran was the only person I knew who could use words like "blackguard" and make them sound like swear words-but then he could have said "bunny rabbit" in that tone of voice and weaken my spine with the same shiver of fear.
I always knew I couldn't sing, but I also knew I had a voice that isn't heard by many, and that I could learn how to stretch it and make songs sound good.
Mothers." The man made a word sound like a curse. "I think birthing does something to your minds. You are all mad.
I based my tuning on Gene Krupa, Buddy and Joe Morello. I knew how I wanted the drums to sound and we did the best we could with a beat up Ludwig kit. I spent a lot of time around drummers learning how to get sound. I knew the sound I was after and what would work for what we were playing.
Take care with your words, Jacquetta, especially in cursing. Only say the things you mean, make sure you lay your curse on the right man. For be very sure that when you put such words out in the world they can overshoot-like an arrow, a curse can go beyond your target and harm another. A wise woman curses very sparingly.
I don't mean to sound like a touchy-feely California type here, but I knew that I could finally get over the death of my father only by having kids of my own.
The only man who could make a love scene comfortable was Clark Gable. He was born graceful, he knew what to do with his feet and when he took hold of you, there was no fooling around.
The surest way to make a monkey of a man is to quote him. That remark in itself wouldn’t make any sense if quoted as it stands. The average man ought to be allowed a quotation of no less than three sentences, one to make his statement and two to explain what he meant. Ralph Waldo Emerson was about the only one who could stand having his utterances broken up into sentence quotations, and every once in a while even he doesn’t sound so sensible in short snatches.
I don't really think there's a genre that we couldn't do, but it wouldn't sound like that genre, if that makes sense. I think we could take any song, but it would sound like us. If you're doing a country song, it could maybe sound a little bit country, but it's going to sound like Pentatonix.
Even when disco went out, I could still make hits. Once I had so much success, every idea became concentrated. I had so much confidence. I knew how the bass should sound, what rhythms would work. The tempos I knew: 110 to 120 BPM. I knew they would dance in the clubs in New York or anywhere.
At every moment, each instrument knew what to play. Its little bit. But none could see the whole thing like this, all at once, only its own part. Just like life. Each person was like a line of music, but nobody knew what the symphony sounded like. Only the conductor had the whole score.
If I could find a white man who had the Negro sound and the Negro feel, I could make a billion dollars.
I like that kind of classic-type sound. A lot of my favorite albums were tracked live, with a four-piece band. I love the way those albums sound, but I want to make records that sound like that in the way I like to make stuff.
I don't believe a thing about a curse. I don't understand how we can talk about a curse. You have to remember, God is blessed and man can't curse, no matter how hard they try.
Any messages for me?" Usually I got one or two, but mostly people who wanted my help preferred to talk in person. "Yes. Hold on." She pulled out a handful of pink tickets and recited from memory, without checking the paper. "Seven forty-two a.m., Mr. Gasparian: I curse you. I curse your arms so they wither and die and fall off your body. I curse your eyeballs to explode. I curse your feet to swell until blue. I curse your spine to crack. I curse you. I curse you. I curse you.
Going to a grammar school, you mixed with all sorts of different types and I used to listen to how they talked. When I did my imitations, I could sound like someone really rough, or I could sound like a cabinet minister.
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