A Quote by Michael Franti

Every single soul is a poem. — © Michael Franti
Every single soul is a poem.
Every single soul is a poem, written on the back of God's hand
The religion of the short poem, in every age and in every literature, has a single commandment: Less is always more. The short poem rejects preamble and summary. It's about all and everything, the metaphysics of a few words surrounded by much silence. …The short poem is a match flaring up in a dark universe.
When the Divine Artist would produce a poem, He plants a germ of it in a human soul, and out of that soul the poem springs and grows as from the rose-tree the rose.
Every single night our soul is taken, and every single night the Angel asks before bringing it back, "Ya Allah what about this one?" "Do You want to send it back?" Do You want to pull the plug or should we keep the Ruh (soul)?" And every night Allah gives permission to the Angel to let us live one more time."
We are winning millions to Christ, one soul at a time. Every single, solitary soul is precious.
Throughout all the pain of enslavement and despotism, of inquisition, forced conversion, and massacre, the Jewish people has carried in its heart the yearning for freedom and has given this craving a folk expression which includes every soul in Israel, every single downtrodden pauperized soul!
Social media's currency is the single photograph. Whereas, every time I look at a photograph, I look at twenty or thirty photographs. I'm looking for a narrative. And that's a different kind of construct. If you're a poet and you put a line from your poem online, "The trees bending over gracefully," or something, you can get a tick. But that has nothing to do with your longer poem.
I always tell my writing students that every good piece of writing begins with both a mystery and a love story. And that every single sentence must be a poem. And that economy is the key to all good writing. And that every character has to have a secret.
One day while studying a Yeats poem I decided to write poetry the rest of my life. I recognized that a single short poem has room for history, music, psychology, religious thought, mood, occult speculation, character, and events of one's own life. I still feel surprised that such various substances can find shelter and nourishment in a poem. A poem in fact may be a sort of nourishing liquid, such as one uses to keep an amoeba alive. If prepared right, a poem can keep an image or a thought or insights on history or the psyche alive for years, as well as our desires and airy impulses.
The subject of the poem usually dictates the rhythm or the rhyme and its form. Sometimes, when you finish the poem and you think the poem is finished, the poem says, "You're not finished with me yet," and you have to go back and revise, and you may have another poem altogether. It has its own life to live.
Every moment of life is the last, every poem is a death poem.
In every single job, in every single business, in every single profession - in whatever you do - there can be the satisfaction and the happiness that comes from knowing that what you do is important, that what you do makes a difference in the lives of the people you serve.
I need scarcely observe that a poem deserves its title only inasmuch as it excites, by elevating the soul. The value of the poem is in the ratio of this elevating excitement.
In spite of what are unprecedented measures in scale and scope, I can't stand here and say I can save every single job, protect every single business or indeed every single charity. That's just simply not possible.
If Paul Ryan wants to talk about the soul of America, I ask him to look into his own soul. Because if he is saying we have no soul, he certainly has a hole in his. He needs to understand that every single person in this country has a right to expect that their government will take care of them in their greatest need.
Every single team that I've played for, every single person would tell you that I've given it everything every single day.
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