A Quote by Michael Frayn
It's funny - there's nothing that stops you laughing like the sight of other people laughing about something else.
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[As a kid] I did enjoy making people laugh but I was also attracted to funny people. I'm [still] quite happy to not be the one trying to make other people laugh. I'm happy laughing at someone else. I enjoy laughing and I'll happily be the one just laughing all night if you can make me laugh.
As a comedian, I don't know if they're laughing because it's funny or if they're laughing at me because I'm not funny. And I'm thinking, 'Who cares? They're laughing.' If you go on stage, and they're laughing at you full-on for 60 minutes? You know, whatever puts them in the seats.
I don't find the same things funny that many other people seem to find funny. I don't really respond to sex jokes and things like that, and some of my friends look at me and go, "Come on, Nic, that was my best joke. Why aren't you laughing?" I go, "I really don't know why I'm not laughing. I'm sort of out of sync with it." So I'd have to find something that was really about weird human behavior for me to laugh.
When I was a kid I would get upset when people laughed at me when I didn't mean to be funny. I would always hear,'We're not laughing at you. We're laughing with you.' But I would say, 'I'm not laughing.
People have stars, but they aren't the same. For travelers, the stars are guides. For other people, they're nothing but tiny lights. And for still others, for scholars, they're problems... But all those stars are silent stars. You, though, you'll have stars like nobody else... since I'll be laughing on one of them, for you it'll be as if all the stars are laughing. You'll have stars that can laugh!... and it'll be as if I had given you, instead of stars, a lot of tiny bells that know how to laugh.
I remember certain people in the audience laughing and I wanted to ask: 'What are you laughing at? This isn't funny.' Now I realize that laughter can come from insecurity. They don't know how they should be feeling.
"Nasty Man" isn't a laughing matter, but you have to laugh anyway. The song, itself, becomes something of a laughing matter because we'd go crazy if we didn't keep laughing.
I just heard a very funny story about somebody who died yesterday, I'm sorry to say so but it was so absurd that you can't help laughing. And the person that was concerned about that story was laughing too.
I just heard a very funny story about somebody who died yesterday, I'm sorry to say so but it was so absurd that you can't help laughing. And the person that was concerned about that story was laughing too
The boys, they are laughing: 'Oh, you are boxing. Very funny.' But I always challenge when people are laughing - 'I'll show you one day.' After getting five times world champion, they are all quiet. And they respect me.
Laughing and crying are very similar. Sometimes people go from laughing to crying, or crying to laughing. I remember being at someone's wedding and she couldn't stop laughing, through the whole ceremony. If she'd been crying, it would have seemed more "normal," though.
In comedy you sometimes have to look at the funny bone a little bit. So, that was the hardest part - was not offending. I'm not laughing at anybody. We're laughing together about who we are - and the funnier part of who we are. I'm (sure) not writing this and calling you a stereotype. I'm not doing that.
I'm sort of laughing and so Zach [ Galifianakis] started laughing [on the set of The Hangover]. And Todd [Phillips] was baffled because what we were saying wasn't that funny, you know what I mean? And it was like all the baby's face. So Todd was like, 'What is going on? Get it together guys.'
Comedy is so subjective. You could be in a room with 400 people laughing at a joke and you could just not think it's funny. You're just sitting there like, 'Am I in the twilight zone? Why is everyone laughing?' It's such a personal thing. People have such a personal visceral response to comedy.
The beauty of shooting on something that's not in front of an audience is that you can just cut out the times you're laughing. You can cut to the other person and try to use that moment, right before you break. There's an energy to those performances. There's a reason people were laughing. There was something very special. That little extra something was in that line delivery or in that improv, so you try to use that stuff.
I don't like laughing at people unless they're in a privileged position or if they're in authority. If it's poor people or people who live on the outskirts or on the margins, or the underdog, I'd rather be laughing with them.
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