A Quote by Michael Gambon

I learn the lines that JK Rowling or whoever writes them, and say them. — © Michael Gambon
I learn the lines that JK Rowling or whoever writes them, and say them.
I love 'Harry Potter' and JK Rowling - don't laugh at me!
My first ever interview for 'Blue Peter' was a film with JK Rowling.
My process is I try to learn my lines so they're so solid I don't have to think about them or how I'm going to say them.
I have five, six, seven things I do before those lines are in my brain. I say them like I'm a robot; I sing them. I put a pencil in my mouth, and I say them. I cook. I play with a cushion and say them - so they really are inside of me.
JK Rowling created seven Horcruxes. She put a part of her soul in every book and now her books will live forever
Fantastic Beasts, to in any way be associated with that world was amazing, especially having been such a huge fan of JK Rowling for such a long time, it's one of those things I never would have dreamt of being a part of.
I never don't know my lines. I never take the audition pages into the room. I end up relying on them or looking at them too much, and it makes me feel unprepared, so I always learn my lines without fail.
I write adult fiction, but a good 40 to 50 per cent of my readers are teenagers. I love that if they have to grow up and move past JK Rowling they can move to me. From Jo to Jodi!
Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.
I'm only an actor. I'm not a writer. I'm not going to leave any legacy. All I've ever done is learn the lines and say them.
The youth say stupid things and they say good things, as we do, as everyone does. But hear them, speak with them, because we must learn from them and they must learn from me, from us.
Funny bones, to me, are more important than funny lines. If a comedian is just not likable and doing the lines, you could read them yourself. Whereas if someone [you like] shambles out, and they tell you what a bad day they've had, they don't have to say anything. I love them. I want to hug them because they've been through something. And it comes back to empathy, always empathy.
I was one of the first people in the Palestinian world, in the late 1970s, to say that there is no military option, either for us or for them, and I'm certainly the only well-known Arab who writes these things - and who writes exactly the same things in the Arab press that I say here.
Learn your lines… plant your feet… look the other actor in the eye… say the words… mean them.
I look in the mirror and see lines, but I have earned those lines. It has taken me 59 years to get them and I am not losing them now.
One writes not to be read but to breathe...one writes to think, to pray, to analyze. One writes to clear one's mind, to dissipate one's fears, to face one's doubts, to look at one's mistakes--in order to retrieve them. One writes to capture and crystallize one's joy, but also to disperse one's gloom. Like prayer--you go to it in sorrow more than joy, for help, a road back to 'grace'.
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