A Quote by Michael Giacchino

Brad Bird is fond of saying that music is the easiest thing that can derail a film because if it slightly goes a degree off track it will take the viewer in the wrong emotional direction. To work with people who actually care about that is a good thing.
I loved our music discussion. I live for discussions like that. It's my favorite thing because it means that people care about music, and actually have an opinion. I feel like it's dying. Everyone is just really like, they take a step back, but to actually have conviction about what's good and bad: love it.
I think it is unnatural to think that there is such a thing as a blue-sky, white-clouded happy childhood for anybody. Childhood is a very, very tricky business of surviving it. Because if one thing goes wrong or anything goes wrong, and usually something goes wrong, then you are compromised as a human being. You're going to trip over that for a good part of your life.
A lot of people don't know what I do. In the industry they take credit for work because to some degree it makes them feel worthy or greater. I am not a ghostwriter 'cause it is on the CD covers who wrote and did what but people don't care about anything they can't see. The work gets unnoticed and the credibility goes untouched.
If you give an answer to your viewer, your film will simply finish in the movie theatre. But when you pose questions, your film actually begins after people watch it. In fact, your film will continue inside the viewer.
You have to have that emotional investment in the jokes that you're saying otherwise they actually don't work. You can say exactly the same thing, but if you don't believe it's funny at the time that you're saying it, it won't be.
I think that a lot of the time, we get in our own heads and make up what other people are thinking, but no one actually cares about the thing you think they care about. You just gotta take that weight off your shoulders and be nice to yourself and be yourself. People will fall in love with who that is.
The thing I have learned, especially in the Internet age, probably the easiest thing in the world is to declare that something is not funny. I mean it's not actually humor to say something is not funny, but it is viewed by a lot of people - and by that I mean mainly snarky young Internet men - as a kind of humor in and of itself is putting down other people's efforts at humor. And I don't care that much anymore about that because I know how easy that is to do.
I've always loved theatre because it's so immediate. The challenge of it is that, career wise, it's easier to get traction in the industry if you do film and TV because the audience is larger, and because the work can be seen for a longer period of time. I did solid work in a series of regional and Off-Broadway shows, but the work I did on TV or film will have a longer life with a larger audience (and with services like Netflix). Ultimately, there's something intimate about TV, because the storytelling and the actors come home with the viewer. It can be powerful because of that.
I walk away from jobs generally feeling good about it and that I've done a good job. And it's always slightly deflating when I see the film thing because it's still me up there.
I find in America, actually, I actually prefer it because it's all about energy. It's all about making everyone feel happy and smiling. In the U.K. sometimes people are a bit too concerned about, 'Did you play that track? Did you play that track?' It's not so much about the music in the U.K.
That is the trouble with many inventors; they lack patience. They lack the willingness to work a thing out slowly and clearly and sharply in their mind, so that they can actually "feel it work." They want to try their first idea right off; and the result is they use up lots of money and lots of good material, only to find eventually that they are working in the wrong direction. We all make mistakes, and it is better to make them before we begin.
The easiest thing is to react. The second easiest thing is to respond. But the hardest thing is to initiate. – When people ask you to tell them what to do, resist.
Whether or not belive in Fate comes down to one thing: who you blame when something goes wrong. Do you think it's your fault - that if you'd tried better, worked harder, it wouldn't have happened? Or do you just chalk it up to circumstance? I know poeple who'll hear about the people who died, and will say that it was God's will. I know people who'll say it was bad luck. And then there's my personal favorite: They were just in the wrong place at hte wrong time. Then again, you could say the same thing about me, couldn't you?
I listen to a lot of different kinds of music and rather than just doing one thing when I make an album, the challenge to myself is to write all these diverse tracks, but to make them work. It's like a jigsaw because if you've got a lyrical track going into a hard rock track... it's got to work. You've got to write things that will work together.
Investing is a negative game emotionally. If you're playing for the emotional satisfaction, you're bound to lose, because what feels good is often the wrong thing to do. When all the criteria are in balance, do the thing you least want to do.
It's all about the music, and I work as hard as I do strictly because of the music. It's not a money thing; it's not a career thing. It's simply to do with me being a music fan with a broad taste, wanting to do different styles and wanting to work with lots of different people.
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