A Quote by Michael Giacchino

When I was growing up, every show had live music. Now, almost none have live music. Probably 97 percent of the shows on television are probably synthesized, or mostly synthesized, and that's a shame.
There's very little synthesized sound in the 'Arrival' score. There are a couple of synthesized beats in there, but 99 percent of the sounds in there are acoustic in origin and either played or sung by a musician or a singer and recorded in a room.
The advent of electronically synthesized sound after World War II has unquestionably had enormous influence on music in general.
I would say when you're dealing with live musicians and musicality, the warmth of a live instrument brings a certain feel to a song that is really hard, sometimes, to get from synthesized instruments.
That's what I miss out of all this synthesized music - it starts to lose dynamics.
I want to bring real music back but make it marketable and mainstream. To me, real music isn't everything being synthesized, computerized.
I do have issues with the fact that music is so accessible nowadays. When I was growing up, we had to find our music; we had to fight for it. But hey, you live in the age that you're born in, and you get on with it.
In the early '80s, my sound - especially that mysterious kind of synthesized sound that was used so much - every relatively cheap TV show eventually had it because it's not expensive. It's just one guy doing the whole soundtrack. So it was overdone.
Everybody has their own approach to songwriting. When you're an electronic musician, the whole writing process just depends. Some people have a very live way of writing electronic music, very improvisational. They set up a lot of gear and do live takes. I'm concerned with having a specific kind of sound. There's not one second that I haven't put thought into. I put almost as much time into my live shows as I do into writing music, but they're two completely different processes. Some people think the way I perform live is how I write songs, which isn't true at all.
I listen mostly to live music, and mostly my musical experience was playing music with other people.
Growing up, my grandmother did not want worldly music in the house. Then when I went out to California, I started listening to Spanish music, mostly Mexican music. But were I in Egypt, I would listen to the music of the people, or if I was in Italy, I'd listen to Italian music.
My love of music has been ever-growing, and to live in Music City - I don't want to live anywhere else.
I'm glad I had a chance to see great music played up close and live. In a way, that's what I hope my show does. It's almost like an acoustic evening with Mick Foley.
When I started out, I was a television writer, and we wrote a television show that was on live every week. And you didn't have the luxury of coming in and waiting to be inspired. You came in and you had to write. And you wrote, because it was going to be live on the air. So I can do that.
Mick Jagger has been an idol of mine since I was 10 years old. Through his music, he has taught me so much about rock n' roll, but also about the blues and about the experience of live music, going to several Rolling Stones shows, growing up.
The way I think about things or hear things in my head is actually much closer to acoustic instruments. I don't have weird synthesized fantasy of music in my head.
To me, that's when music was music. Every studio had a full symphonic orchestra and a whole bunch of singers they used on every picture. Every radio show had singers on it, and NBC and CBS had their own staff orchestras. Music was everything. And it was good music; it wasn't based on three chords.
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