A Quote by Michael Giacchino

I like the sounds of real, living, breathing musicians. When a real person plays something, there's a soul. They're giving you their emotions. — © Michael Giacchino
I like the sounds of real, living, breathing musicians. When a real person plays something, there's a soul. They're giving you their emotions.
Any story hits you harder if the person delivering it doesn't sound like some news robot but in fact sounds like a real person having the reactions a real person would.
Real life is developed from within. Real living means that the soul expresses itself through all one's thoughts, words and actions. A person becomes fearless once he understands the nature of the imperishable soul.
I like to play people that are real, a real person, and then something that's interesting with that person. I think it's a lot more challenging to do that than something that's extremely fantasy-like.
Theatre is fake... The knife is not real, the blood is not real, and the emotions are not real. Performance is just the opposite: the knife is real, the blood is real, and the emotions are real.
To be a performance artist, you have to hate theatre. Theatre is fake... The knife is not real, the blood is not real, and the emotions are not real. Performance is just the opposite: the knife is real, the blood is real, and the emotions are real.
What I've found recently is the heart, the soul, whatever you want to call it, it doesn't differentiate: If you really live the experience making a movie, it's the same as living it in real life, as crazy as it sounds.
The moment when a limit is reached, when there is nothing ahead but darkness: something comes in to help that is not real. Another way all this is like madness: a mad person not helped out of his trouble by anything real begins to trust what is not real because it helps him and he needs it because real things continue not to help him.
I think musicians naturally gravitate toward music that sounds real.
I just like to be real and just express real emotions and talk about real life.
From a Buddhist point of view, emotions are not real. As an actor, I manufacture emotions. They're a sense of play. But real life is the same. We're just not aware of it.
I used to hide my real emotions in gobbledegook, like in In His Own Write. When I wrote teenage poems, I wrote in gobbledegook because I was always hiding my real emotions from Mimi.
There's a certain amount of pressure that comes from playing real people. It's a pressure to deliver something fair and right to the real person and any living relatives. But generally, it's a joy, as you get to target your interest on a particular era.
To me a real patriot is like a real friend. Who's your real friend? It's the person who tells you the truth. That's who my real friends are. So, you know, I think as far as our country goes, we need more people who will do that.
I think maybe people see bands and musicians as some sort of superhero unrealistic sport that happens in another dimension where it's not real people and not real emotions. So, I grew up listening to Beatles records on my floor. That's how I learned how to play guitar. If it weren't for them, I wouldn't be a musician.
I think maybe people see bands and musicians as some sort of superhero unrealistic sport that happens in another dimension where it's not real people and not real emotions. So, I grew up listening to Beatles records on my floor. That's how I learned how to play guitar. If it weren't for them, I wouldn't be a musician.
I'm very comfortable with an R-rating. I feel like it sounds like what people talk like in real life; I think it's more real to me.
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