A Quote by Michael Giacchino

If you listen to a score from beginning to end, you should envision the entire film in your head. — © Michael Giacchino
If you listen to a score from beginning to end, you should envision the entire film in your head.
Because a composer's soul goes into a film, they should do the entire film, even the background score. If not, then don't do it.
I had to do this very aggressive, big score in a very short time, and knowing that in the beginning, middle, and end would be this very, very famous theme, but I still had to weave a score around it and make it work as a score was really challenging.
A film has a beginning, middle, and an end. There is a certain amount of time that you have to embody these people. You know the entire story arch. But on TV, you have to let your guard down. You don't know how long the show is going to last. There is this excitement that comes with developing a character long-term.
So I prefer to do the entire music for a film. And when I'm doing the background score, I can weave the whole film together in terms of themes and songs for a good cinematic feel.
With a film, you know the beginning, middle and end of your character's arc. But on a TV show, you have no idea where they're going to end up.
When I did 'Immunity,' even though I did a film score at the beginning and also at the end, I was left uninterrupted during the middle bit. I got a good year of just writing and focusing. That, to me, is when I make the best stuff.
A photographer looks at everything, which is why he must look from beginning to end. Face the subject head-on, stay fixed, turn the entire body into an eye and face the world.
Film is so much to do with perfection and how differently you can feel about someone at the beginning of the film and the end of the film.
The end of 'The End' is the best place to begin 'The End', because if you read 'The End' from the beginning of the beginning of 'The End' to the end of the end of 'The End', you will arrive at the end.
I want to write a score for a film. It can be a proper film, maybe for a film kind of like... I saw that movie 'Drive', or a bit of a 'Blade Runner' vibe. A little bit sci-fi, but I don't know. I've just always wanted to write a score for a film.
Theater is completely different from film or television. It has a beginning and a middle and an end and it's different every night. And it's far preferable to any other except in the sense of not getting paid, people who want to eat should do film and television.
I have to see the whole scene in my head before I go out and do it. Which I do. I will envision the entire scene before I shoot it.
You must have the score in your head, not your head in the score.
I've learned that it's important to listen to employees at all levels, to engage them, to empower them. Whether you're a first-line supervisor or the head of an entire agency, you should be asking career staffers, 'What do you think?'
You should listen to your heart, and not the voices in your head.
We must believe we can score in every moment - at the beginning, the middle, and the end of the game.
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