A Quote by Michael Glawogger
I don't aestheticize anything. I don't even use lights. The working girls do one thing all day: They make themselves pretty. That's their job and their money. In a way, I had the best makeup artists, hairdressers, and art designers in the world.
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I'm an Air force Brat and I've lived all over the world and this country and there were people in my community who were gay - nurses, hairdressers, designers - people who just had a different way about themselves.
The time is a thing; you don't have so much time. A good trick is to try and think about a way to use material from one occupation for the other. It's like going through working a day job, this is so dumb to say, but you know how Julian Schnabel made those crockery paintings while he was working as a short-order cook? It's like that, using what is around, transforming that to create meaning and make art. Trying to take nothing and make... something.
I think designers are starting to realize that we're all in the same industry. We're making clothes - we aren't saving the world. I'm not saying that designers aren't artists, but at the end of the day, we make clothes.
When you look cakey, or you have too much on, and you actually see the makeup, the makeup isn't doing its job. When you use the makeup in a way where the people aren't thinking about the makeup, and they're looking at you, that's what we want.
I don't care how many followers you have, but if you're executing amazing makeup, and you're working day to day in the makeup world and really changing the makeup world, to me that qualifies as a pro.
I've watched so many women, from Kathleen Hanna all the way up to Taylor Swift, whether they're pop artists or rock stars or fine artists or writers, it is the subhistory of female artists that if you're going to make art, you're also going to have a full-time job of defending your right to make art.
I had a blog and was documenting my life as a college student in an art school. I had a few comments left by a few girls asking if I could do a tutorial on how I did my makeup. I didn't think my makeup was all that special, but I try my best to share whatever I can with my viewers.
I love playing with makeup. Makeup has become a thing where it's an art form. It's not a thing where you use it because you need to feel beautiful or because you don't like the way you look.
I have worked with several art directors and production designers who are just magnificent. Dave Getz, Paul Felix, Ian Gooding... just amazing artists, and I would say, if I had anything to do with it, I just pick good artists!
In New York, lights are on the whole night; there are offices where not a single person is working, but all lights are on. The street lights at the White House are lit all the day. Why? And we are being told not to use coal.
In the commercial music world, the folk world, we sell records and concert tickets - this is the way I make a living. You go out, you make your art and hopefully people will put their money down for it. But it's getting hard. I have to be on the road so much to keep the lights on.
I grew up learning from numerous makeup artists how to put on makeup, different ways you can put on makeup, what type of makeup to use, what type of makeup not to use.
Artists look at the environment, and the best artists correctly diagnose the problem. I'm not saying artists can't be leaders, but that's not the job of art, to lead. Bob Marley, Nina Simone, Harry Belafonte - there are artists all through history who have become leaders, but that was already in them, nothing to do with their art.
I think, being surrounded by professional makeup artists and hairdressers, you pick up little tips and trends.
The reason I do this job is because I started to be a painter. Making money in art was difficult. The easiest way to make money was to use art for some other reason. One of the easiest and most interesting from an economic point of view was fashion. Fashion pays.
I think what happened in the last 10 or 15 years in the art market is that all the players - and that includes artists, dealers, art advisors, everyone - basically became dealers. We've had old-school collectors morph into speculators, flipping works. We've seen auction houses buying works directly from artists or from sleazy middlemen. The last step before the crash was the artists themselves supplying the auction houses. Dealing themselves, you know? The art world is as unregulated as any financial market there is.
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