A Quote by Michael Glawogger

As a filmmaker I cannot make anything beautiful. I'm Platonic in that sense. — © Michael Glawogger
As a filmmaker I cannot make anything beautiful. I'm Platonic in that sense.
The influence (for good or ill) of Plato's work is immeasurable. Western thought, one might say, has been Platonic or anti-Platonic, but hardly ever non-Platonic.
It's tricky to ask a filmmaker to explain his own work; usually we're the least qualified to make sense of what we've done, unfortunately, because of the tunnel vision required to create anything over four years.
... I have developed, over the years, some sense of the difference between real horseshit that you can step in and Ideal Platonic Horseshit that exists, evidently, only in the contemplation of those who worship such abstractions; and I continue to notice that Natural Law bears an uncanny resemblance to ideal Platonic Horseshit.
PLATONIC, adj. Pertaining to the philosophy of Socrates. Platonic Love is a fool's name for the affection between a disability and a frost.
When I started I did not know I wanted to be a filmmaker. I started - I made a film. Then when I finished I said, Oh my god it's so beautiful - I should be a filmmaker!
I'm the only Mauritanian filmmaker so it wouldn't make sense to make a film in France. I could shoot outside of my own country if the story was something that called for it. Africa really has to be the reason for me to make a new film.
It makes no sense to complain about a lack of imagination in scientists when their failure is simply that they cannot make the world be what it is not, and they cannot make the world do what it cannot do.
For the Platonic or Aristotelian philosophy, it is of no importance whether Plato or Aristotle ever lived. For the mystical practice of an Indian, Persian, Chinese, or Neo-Platonic mystic it is a matter of indifference whether Rama, Buddha, Laotse, or Porphyrius are myths or not. The mystic has no personal relation to them. It is not here a question of somebody telling me the truth which of myself I cannot find, but of my finding an access to the depths of the world in the depths of my soul.
I subject my sentences and the words to a kind of Grand Inquisition. I'm trying always to leave out what I think is extraneous. And to find what I think is the most wonderful language to make a beautiful sentence. Not beautiful in the sense of "oh it's flowy" but in the sense that it really does what it's supposed to do, it what I want it to say.
I was an audience member before I'm a filmmaker. All I've tried to do as a filmmaker was to make movies I want to see.
She had a body that even I coveted in a strictly Platonic sense.
Platonic love is platonic nonsense.
People make films about all kinds of relationships, but they won't do these extremely intense platonic love affairs that happen between young girls. In a way they are more intense than anything else you ever have, and that's what I wanted to make a film about, though it was in the context of a horror film.
I learned that you have to say that you're a filmmaker. You're not a screenwriter; you're not a director for hire. You've got to take charge. You're a filmmaker, and you're going to make a film.
Russian ladies, for the most part, cherish only Platonic love, without mingling any thought of matrimony with it; and Platonic love is exceedingly embarrassing.
I knew I needed to make a studio film - not for any financial reason, but because, as a filmmaker, and especially as a female filmmaker, you have to break through the glass ceiling.
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