A Quote by Michael Graves

Architects love to rethink a project - that's what we do. If something is successful, like a house or a kettle, in this case, it's a great compliment when someone wants another one.
Someone once told me they didn't like taking the lid off the kettle because they'd just lose it in the kitchen, so we made a kettle with an attached lid that you slide. It was in response to that that we made one that did something different.
The White House and the media need one another in order to be successful in their jobs. The White House depends on the media to make its case to the public; the media need the White House to fill their airtime and news columns.
The biggest compliment? I would say, "You helped me." I think in terms of life, not just with acting. But certainly with storytelling, being able to hold up a mirror and allow someone to relate to a story and see something in themselves to the extent that you're in service to another human being - I don't know why else we're here. To know that I helped someone would be the biggest compliment I could ever receive.
All the work that I do, whether or not it ends up being commercially successful or not, feels like the most important thing to me while I'm doing it. I try to take something away from every project, and so they all feel like milestones for one reason or another.
Look who's calling the cauldron black." "Kettle. It’s a kettle. Get your metaphors right." "That wasn’t a metaphor. It was a, you know..." He stared off into space, blinking. "One of those things that’s symbolic of another thing. But isn’t the same thing. Just like it." "You mean a metaphor?" "No! It’s like a story...like...a proverb! That’s it." "I’m pretty sure that wasn’t a proverb. Maybe it was an analogy." "I don’t think so.
Some people might hate someone who is successful, but in Peru, they love it! It makes them feel they can be successful, too. That's a good state of mind for a country that wants to come out of poverty.
If there is no idea in the drawing, there is no idea in the constructed project. That's the expression of the idea. Architects make drawings that other people build. I make the drawings. If someone wants to build from those, that's up to them. I feel I'm making architecture. I believe the building comes into being as soon as it's drawn.
Who doesn't love a compliment? But every compliment comes with a warning: Beware—Do Not Overuse. Go ahead, sniff your compliment. Take a little sip. But don't chew, don't swallow. If you do, you risk abandoning the good work that inspired the compliment in the first place. If that happens, maybe it was the compliment and not the job well done that you were aiming for all along.
It's like a kettle. If it's a kettle, you turn the kettle off, you know what I mean? I wish I could put a hole in my head and let the steam come out. The steam was getting so high and the pressure was just getting a little bit much for me.
Nobody wants somebody who wants them for what they have or the position their in- you want somebody who wants you for you. In case it all goes crazy and it all turns to dust. I want somebody who loves me in the welfare line, eating gumbo, eating fish,black eyed peas and rice. I want somebody that loves me. God wants you to love him, not his cars, not his house, not his blessing- love him.
I think one artist to another artist, the best compliment you can pay one another, because the part of you that is inspired or creates something, to write a joke or a song, that's like the God-like part of a person.
One of the great functions of art is to help us imagine what it is like to be not ourselves, what it is like to be someone or something else, what it is like to live in another skin, what it is like to live in another body, and in that sense to surpass ourselves, to go out beyond ourselves.
Part of me wants nothing to do with any Hollywood. But another part of me wants to go there. I feel like I could be successful at it.
I have never pretended to be a great House of Commons man, but I pay the House the greatest compliment I can by saying that, from first to last, I never stopped fearing it.
There is an effective strategy open to architects. Whereas doctors deal with the interior organisms of man, architects deal with the exterior organisms of man. Architects might join with one another to carry on their work in laboratories as do doctors in anticipatory medicine.
To wear something like that your whole life is the largest compliment someone can pay to you as an artist.
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