A Quote by Michael Graves
I've always believed that what can make a domestic setting truly home is the infusion of a cultural dimension.
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Prada Infusion d'Iris perfume - my mother wears it, so it feels like home away from home. It's lovely to smell her scent at all times.
It is not necessarily at home that we best encounter our true selves. The furniture insists that we cannot change because it does not; the domestic setting keeps us tethered to the person we are in ordinary life, who may not be who we essentially are.
Setting a good example is truly the most effective means of communication - and setting a poor one is disastrous!
I prefer to make my own coffee at home because I love the experience of measuring out the beans and finding the right grind setting, messing with water amounts, etc. It's truly an art form, and I'm obsessed with it. In L.A., I love Blue Bottle and Intelligentsia and used to hang at Bru in Los Feliz.
You unlock this door with the key of imagination. Beyond it is another dimension: a dimension of sound, a dimension of sight, a dimension of mind. You’re moving into a land of both shadow and substance, of things and ideas. You’ve just crossed over into… the Twilight Zone.
Becoming a parent is always going to be a default setting. I truly believe there will always be more people who want to have children than who don't.
Domestic violence can be so easy for people to ignore, as it often happens without any witnesses and it is sometimes easier not to get involved. Yet, by publicly speaking out against domestic violence, together we can challenge attitudes towards violence in the home and show that domestic violence is a crime and not merely unacceptable.
I believed in a good home, in sane and sound living, in good food, good times, work, faith and hope. I have always believed in these things. It was with some amazement that I realized I was one of the few people in the world who really believed in these things without going around making a dull middle class philosophy out of it. I was suddenly left with nothing in my hands but a handful of crazy stars.
I think I’ve always believed that there is one person in the universe who you’re truly meant for–for whom you are truly meant–and the fact that sometimes there are two or even more people on the earth you can fall in love with really bothers me. It suggests that if you work hard you can be meant for anyone.
I think my dad always believed I would play for England, probably more than I believed it, but it never crossed our minds that we weren't going to make it.
I'm not part of the cultural elite. I'm a down-home girl. Always have been, always will be.
It was a big deal to leave home and my culture and my language. But I believed that in America, I could truly reap what I sowed and that the measure of a man was his ability and determination to succeed. This was the land of boundless opportunity.
I was always a performer, always on stage, but I also always believed I was going to go home, open a dance school, get married, and have what you would call a 'normal' life.
My mom always told me that I could be anything I wanted to be. And I truly, actually believed it. And I fought.
I always knew it was ill-fated, but he truly believed I would be his bride. I guess I'd never realized that before. He had taken my mucker hand and looked at my mottled face and believed we would wed. And he hadn't seemed sorry. In fact, he'd swooped me up in a corridor and kissed me. That set me to crying.
It is an assumption that there is always one single dimension for assessing persons and their actions that has canonical priority. This is the dimension of moral evaluation; "good/evil" is supposed always to trump any other form of evaluation, but that is an assumption, probably the result of the long history of the Christianisation and then gradual de-Christianisation of Europe, which one need not make. Evaluation need not mean moral evaluation, but might include assessments of efficiency, ... simplicity, perspicuousness, aesthetic appeal, and so on.
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