A Quote by Michael Graves

The dialogue of architecture has been centered too long around the idea of truth. — © Michael Graves
The dialogue of architecture has been centered too long around the idea of truth.
I went right from wunderkind to washed up. Old. Been around too long. That's just the way I feel. That's my internal dialogue.
Mac Dre has been around a long time. E-40's been around a long time. JT the Bigga Figga, Rappin 4-Tay. There's been a lot of guys that been around a long time, but they all grew up listening to Too $hort.
My dad has coached a long time, so there aren't too many conversations in my family that haven't centered around basketball.
As it almost always was when I'd been too self-centered to see the truth of the matter, I felt impossibly foolish.
It's often been observed that the first casualty of war is the truth. But that's a lie, too, in its way. The reality is that, for most wars to begin, the truth has to have been sacrificed a long time in advance.
We make time for what we truly value. We build habits and routines around the things that really matter to us. This is an important principle to understand as we seek to build our lives around the gospel. Do you want a cross centered life? A cross centered life is made up of cross centered days.
Romney is right that the Obama vision is too centered on government. But his is too centered on the promotion of business and wealth creation at the expense of everything else.
There are so many odd things that happened that are centered around Britney Spears it's kind of amazing. There's just so many cultural moments centered around her existence and nothing else.
Real beauty is when you're centered, when our mind is with the truth. That is how every baby is beautiful because they are centered.
I've always been interested, - if you look back at my work from the beginning, really - I've always been interested in the idea of the artificial landscape. Reforming the landscape. Architecture being a method of reforming the earth's surface. We reshape the earth's surface, from architecture to paving streets, to parking lots and buildings that are really reforming the surface of the earth. Reforming nature, taking over what we find. And we're mushing it around and remaking a new earth - or, what we used to call Terra Nova.
That is - the use of the subjective camera is an idea that's been around in movies for a long, long time. And it's an idea that was seized on very notably by Sam Fuller and by Alfred Hitchcock in two different very kind of - otherwise very different styles of filmmaking.
Architecture is a discourse; everything is a discourse. Fashion discourse is actually a micro-discourse, because it's centered around the body. It is the most rapidly developing form of discourse.
I still haven't quite caught on to the idea of writing without dialogue. I like writing dialogue, and there's nothing wrong with dialogue in movies.
For me, the excitement in architecture revolves around the idea and the phenomenon of the experience of that idea. Residences offer almost immediate gratification. You can shape space, light, and materials to a degree that you sometimes can't in larger projects.
The whole idea of action being a carrier of information is something that comes directly from theater. That's, in some ways, the one thing I've been trying to contribute. I still write things outside of architecture - not really fiction, but not nonfiction. I like dialogue as a form, because the text is only the trace of an action. The consequential information is carried in the action you choose to put on that text.
'MMMBop' took about a year to actually get completed. The chorus idea had really been around for a long time, and then we built the song around it.
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