A Quote by Michael Hersch

Of course, all people have their own reasons for believing what they do about gender. In my case, in over two decades of collaborating with men and women in music - conductors or otherwise - I have seen no distinction.
They gave me four weeks, and I asked if the first week could be just music with the two main conductors. So, the conductors came over to my home, and we worked in the music room, and I learned my two little songs.
There are two types of conductors. One is the good conductor who can do passionate music but also listen to the singers and do the orchestra. And then there are great conductors, who have their own opinion on the music, who are ruling everything - and not listening much to the singers, but the orchestra play amazingly.
It's not enough to have a few women's studies courses. Why is it more important to study Paul Revere's midnight ride than it is Susan B. Anthony's 50-year effort to transform the face of America for women? When you're in school, most of the events you study are about men. Men's activities lauded and repeated over and over. What about us? What about commemorating the decades-long struggle for suffrage? Why don't we hear those stories over and over and over again. It's almost inconceivable for men to understand what it would be like to live without that constant valorization.
Many, many years ago, I was one of the few conductors who talked to the audience and now a lot of classical conductors have figured it out... otherwise, you just get the back of someone's head playing music you could hear on a CD. It's not enough anymore.
One of the reasons why Canadians are generally positively inclined towards immigration is we've seen over decades, over generations, that it works.
You're collaborating with people you don't even know, when you're making a film. You're collaborating with people you've never seen. So, the collaborative process is very, very different than when you're collaborating on a record with the musicians you've worked with all your life.
I know that women in the music industry get treated a lot differently than men. I've seen it firsthand with somebody in particular, where it's almost that men like to treat women in the music industry like they can't make their own decisions.
Gender is not an easy conversation to have. It makes people uncomfortable, sometimes even irritable. Both men and women are resistant to talk about gender or are quick to dismiss the problems of gender. Because thinking of changing the status quo is always uncomfortable.
I'm just talking specifically of women's friendships. If two women go to a bar and they are fighting over men, it makes it much easier for the men. If two women are very close and they act as it makes it very difficult for the men to pull one over on anybody.
Being an American is life-threatening. For various reasons, men and women here don't live as long as men and women in about two dozen other countries, including the ones we defeated in World War II - Japan, Germany and Italy.
Gender is not something that one is, it is something one does, an act... a "doing" rather than a "being". There is no gender identity behind the expressions of gender; that identity is performatively constituted by the very "expressions" that are said to be its results. If the immutable character of sex is contested, perhaps this construct called 'sex' is as culturally constructed as gender; indeed, perhaps it was always already gender, with the consequence that the distinction between sex and gender turns out to be no distinction at all.
It's important for people to realize that music is gender-less. We are proving that every single day. On this tour, there are more women than men in the audience, and it's beautiful to see these girls own these hard-rock moments.
In real life, I knew that fandom was made up of women, and women of color, and women of all ages. But on the publishing side of comics, it was a lot of white, straight men. It was often jarring to me to be the only women at a meeting or at a panel at a comic-con. Fortunately I had mentors who were not blinded by my gender and who said, "Yes, we know you can write these books." That hasn't been the case for everyone. What gives me great hope is that in the eight to nine years since I've started, I've seen tremendous growth.
Gender relations are a sad story of men talking trash about women all over the world.
In my first 100 days, I'll work with both parties to make the biggest investment in good-paying jobs in decades. We'll also raise the minimum wage - a big deal for the nearly two-thirds of minimum-wageworkers who are women. And we'll give women the tools they need to fight for equal pay. This isn't just a "women's issue"? - it's an issue every American should care about, no matter their gender.
The superpowers often behave like two heavily armed blind men feeling their way around a room, each believing himself in mortal peril from the other, whom he assumes to have perfect vision. Each side should know that frequently uncertainty, compromise, and incoherence are the essence of policymaking. Yet each tends to ascribe to the other a consistency, foresight, and coherence that its own experience belies. Of course, over time, even two armed blind men can do enormous damage to each other, not to speak of the room.
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