A Quote by Michael Hersch
I wrote much more quickly when I was younger. Over the years I've required more time in order for the pieces to arrive in a place I am happy with. The process cannot be rushed. I have to live with a piece for quite a while to feel it ultimately is where it needs to be - though anything resembling complete satisfaction remains elusive.
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After all, I quite naturally want to live in order to fulfill my whole capacity for living, and not in order to fulfill my reasoning capacity alone, which is no more than some one-twentieth of my capacity for living. What does reason know? It knows only what it has managed to learn (and it may never learn anything else; that isn't very reassuring, but why not admit it?), while human nature acts as a complete entity, with all that is in it, consciously or unconsciously; and though it may be wrong, it's nevertheless alive.
Filming costs so much money, so it's such a nerve-racking process, whereas being in a studio is quite cheap compared to that, so you have more time to work on things until you feel good about them. That makes it easier to explain a certain feeling and be in a vulnerable place while making sure it does what you want it to do.
The complete self-absorption, and childish indulgence and disregard, and having to feel as though everything you're doing is so people can live vicariously through you, so you have to pursue more and more unpleasant pastimes in order to satisfy the armchair people. That's a kind of scary existence.
I think I grew up a bit quickly. I wish I was younger than I am in my head. I feel like an old lady for various reasons. I have a yearning to live out my childhood and teenage years and have a bit more fun than I actually did.
While change is rarely comfortable, I am happy to say that we not only survived but also grew more capable in the process - seeding much of the information revolution which now pervades the world in which we live.
I don't feel quite normal if I haven't written for a while. I doubt I will ever again write anything as popular as the "Harry" books, but I can live with that thought quite easily. By the time I stop writing about Harry, I will have lived with him for 13 years, and I know it's going to feel like a bereavement. So I'll probably take some time off to grieve, and then on with the next book!
It took me several years to figure out who I am and a few more to accept what I discovered. Now, I'm in the enjoyment stage of that process and it's a happy place.
Even though, theoretically, being a composer and being a songwriter are the same thing, in my brain, they are completely different. When I am in my composing mode, I go into my studio and turn that part of my brain on like a faucet. And when I finish, I turn it off. But with songwriting, that process is much more elusive.
I think ultimately, bringing more nature back into the city is a way to deal with urban sprawl and things like that. If the cities feel a little more natural, people like to live there more rather than moving out and dividing up another piece of land that shouldn't be touched.
I wrote 'Black Deutschland' very quickly one summer, probably because I had a lot of it in pieces and fragments sitting around over the years as false starts or notes.
When you are not separate from the creative process, time ceases to exist. You might start to feel tired and suddenly realize that much time has passed. It isn't necessarily a happy time - and may be very difficult to start if it is a job or an obligation. But if' you start with all the concrete needs and proceed in a thorough way - the creative process will take over and you will forget whether it is work or play. Working in the here and now is one of the most uncontaminated ways to work.
I left acting for 15 years, and I think it's really nice to have another life. I took too much for granted when I was younger. I didn't really want to be an actor. I didn't really love it. And so I made a lot of mistakes. Oddly, I care much more about it now. I feel like a complete novice.
I saw that something changed in terms of the way I approach writing. I don't know. Before, everything was just sort of pieced together; and more and more nowadays I'll have complete songs - chords, lyrics, a melody - and we'll apply to those songs what we feel is required. That has happened much more on Humbug album than on any of the others.
The thing about how that process works is that it's more about the editing and time for judging the ideas. Most pieces I publish each week have been around for months. This is a response to the beginning of the strip, when I was making them so quickly. I would just conceive a piece, finish it, and then the next day see it in the paper. That was when I was doing dailies four days a week.
As the label has developed over the years, more and more structure and tailored pieces have been added, and so, whilst the core values of the brand have remained, I feel it's important to try new things and add more layers and dimensions to a collection every season.
Fortunately science, like that nature to which it belongs, is neither limited by time nor by space. It belongs to the world, and is of no country and no age. The more we know, the more we feel our ignorance; the more we feel how much remains unknown.
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