A Quote by Michael Hersch

A lot of my approach to the instrument, especially as I've gotten older, is to treat the piano in ways that are not very pianistic - to consider the sounds I'm after first, and to deal with technical considerations later.
Once I started playing the piano, after my first small competition, I realized that the piano was the right instrument for me.
To be honest, I don't really consider myself a prodigy. Learning the piano, I have encountered some difficulties. There are many challenges in playing and I've grown frustrated at times... But because I like to play the piano, I never thought of giving up. I was always able to overcome difficulties in pianistic techniques. Yes, there might be some 'traffic lights', but they all turned 'green'.
Like most young physicists, when I was a kid enraptured with physics, I thought, "Everything can be explained by the theory of the atom!" But as I've gotten older, and I look at the world, I think there's a lot of ways in which that kind of building up from the smallest building blocks doesn't actually account for the world. As I've gotten older, I've also become sensitive to the ways - to all that is not amenable to explanation. Things that, even if you had an explanation, what good would it be?
It is only by demanding the impossible of the piano that you can obtain from it all that is possible. For the psychologist this means that imagination and desire are ahead of the possible reality. A deaf Beethoven created for the piano sounds never heard before and thus predetermined the development of the piano for several decades to come. The composer's creative spirit imposes on the piano rules to which it gradually conforms. That is the history of the instrument's development. I don't know of any case where the reverse occurred.
I've written lots of songs on the piano. My mother had a piano and it was the first instrument I played
I've written lots of songs on the piano. My mother had a piano and it was the first instrument I played.
Piano was my first instrument, but it wasn't the instrument that I showed the most proficiency on.
Here in New Orleans, what a lot of the musical families do - and this is a romantic concept on my part - is they teach their kids to tap dance first. Then after tap dance, you learn piano, and after piano, you get to pick between all the instruments that are out there.
I've been making electronic music since I was 12. I was making music as soon as I knew how to make sounds on a piano. My parents had a baby grand, and the piano is still my favorite instrument. I look at it as a songwriting machine.
My first instrument is piano, I play some piano and guitar. So my solo music is more like real singer/songwriter type stuff.
When I first picked up an instrument, nothing really happened. I played piano when I was a little kid. I hated it so much, I actually don't play piano now.
The only instrument I know how to really play, and the instrument that I absolutely love, is the piano. I have been playing piano ever since I have been 9.
I normally write on acoustic guitar, although piano is the instrument that I actually studied. Occasionally, I'll write on the piano or sometimes with no instrument at all.
'What is this', and 'How is this done?' are the first two questions to ask of any work of art. The second question immediately illuminates the first, but it often doesn't get asked. Perhaps it sounds too technical. Perhaps it sounds pedestrian.
I get so annoyed at people not looking after their parents. The deal is when we are growing up they look after us and as they grow older we look after them. That's the deal.
One of the problems with computers, particularly for the older people, is they were befuddled by them, and the computers have gotten better. They have gotten easier to use. They have gotten less expensive. The software interfaces have made things a lot more accessible.
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