A Quote by Michael Horse

I have turned down soaps operas. I want to be outside, and I want to have the gun. It is cowboys and Indians to me. — © Michael Horse
I have turned down soaps operas. I want to be outside, and I want to have the gun. It is cowboys and Indians to me.
Prior to being mugged I did not feel I had to carry a gun. However, I knew how to shoot a gun very proficiently. As a boy, I used to play cowboys and Indians all the time.
I grew up in that, when I was a kid. My friends and I used to play cowboys and Indians. We were cowboys killing the Indians, following the Wild West stories. All of this combined into a very strange culture, which is frightened.
I want 'Dawn' to play like a cowboys and Indians movie.
There may be something in the fact that when I was a little kid I'd been told growing up that we had some degree of native American blood in us, I always found that a point of pride. So, when it came to cowboys and Indians I most certainly did not want to be John Wayne. I wanted to be one of the Indians.
I don't want anything. I don't want a job. I don't want to be respectable. I don't want prizes. I turned down the National Institute of Arts and Letters when I was elected to it in 1976 on the grounds that I already belonged to the Diners Club.
Actors go, 'I just want to act.' And I say to them, 'You know, stop for a second and think about what charges you up the most. Do you want to be on the stage, do you want to be in film, do you want to be a comic actor? Do you just want to make it for the money and capitalize on your look and do commercials and soaps?'
If you want to do other things, you have to leave soap operas, otherwise you'll be there forever, which is not bad, you know. Some people have made a great living off of being on soap operas. But if you want to branch out you have to leave early, otherwise you'll never get the shot.
Don't get me wrong. I don't mind playing bad guys. I want to play a bad guy. I want to rob a bank. I want to rob a bank in a film. I want to rob a bank in a film but do it with a gun - with a gun, not with a bomb strapped around me.
I said to my mum when I turned 18 and moved into my first flat in Enfield, 'I don't want to come back to my country with nothing. I want to make a career here.' I did not want to let them down.
It's such a paradox. You come from this place where you want fame; you don't want to be bourgeois, but you want to be successful. You want to be accepted, but you also want to be going against the grain. You want to be on the outside, but you want to be on the inside.
Its such a paradox. You come from this place where you want fame; you dont want to be bourgeois, but you want to be successful. You want to be accepted, but you also want to be going against the grain. You want to be on the outside, but you want to be on the inside.
The operas I listen to aren't in English, and I want to listen to my opera after I'm done with it. I want to have the desire to play it on the stereo. To me, the language is part of the mystery.
I turned down 'American Gigolo.' There are many films - like 'Ghostbusters' - that I turned down... The first one I did was 'Foul Play' with Goldie Hawn, but I turned down 'Animal House' - I turned that down.
I've closed my heart down, so many seasons. I didn't want to hurt again, I didn't want to try, so I turned myself to ice and stone, said I don't need anyone, and nobody else would ever make me cry.
I turned down a part in 'Petticoat Junction.' They wanted me to play a circus giant. I didn't want to take that step into type casting. I don't want to play freaks and science-fiction monsters.
I don't want to prove the Raiders wrong. I just want to prove the Cowboys right. They traded for me, and I'm going to be a good player for them.
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