A Quote by Michael Horse

An actor gets to take a nap, but the director is working hard from dawn till midnight. I'm kind of lazy. — © Michael Horse
An actor gets to take a nap, but the director is working hard from dawn till midnight. I'm kind of lazy.
What I recommend is this: after you've talked to everybody, go take a nap! Take a nap. Your body really needs to sleep. It's like washing your face. If you can't afford a three-hour nap, do a one-hour nap. If you can't afford a one-hour nap, do half an hour. If you can't afford half an hour, do fifteen minutes.
free time is an illusion. It's what you get when you die and the gods reward you for a life spent working from dawn until midnight.
I go to bed at midnight and get up at 9. I never take a nap. I don't get tired.
There are only four types of officer. First, there are the lazy, stupid ones. Leave them alone, they do no harm…Second, there are the hard- working, intelligent ones. They make excellent staff officers, ensuring that every detail is properly considered. Third, there are the hard- working, stupid ones. These people are a menace and must be fired at once. They create irrelevant work for everybody. Finally, there are the intelligent, lazy ones. They are suited for the highest office.
The director is the most important because, ultimately, as an actor, when you watch a movie, it looks like an actor is giving a performance, and they kind of are. But, what's actually happening is that an actor has given a bunch of ingredients over to a director, who then constructs a performance. That's movie-making.
Working with a great director is wonderful for an actor because it means that you're not forced to take the advice of an idiot.
I am an actor who gets into a role only when the director says 'action' and gets out of it with 'cut.'
It's a terrible mistake when it gets to be a contest of egos. The actor is always going to win. If a director gets into a control situation and is overbearing, it's deadly.
I have a hard time getting past the day without the nap, so the nap is a must.
It is one of the few elements in the process that a director really, really can't control: an actor's performance. If you have a director that understands that, it's comforting to an actor. You're starting the relationship more as a collaborator, rather than as an employee or some kind of a soldier trying to execute something you don't organically feel.
I am a night creature, and I write from midnight till dawn, secluded in my office and surrounded by my collection of dragons (I have 400 of them). I only use Macintosh computers, which I name in dynastic order. Right now I'm using MacDragon 5. Only the devil is able to decipher my handwriting.
I have a final word of advice to our students. If you work very, very hard, this is the kind of actor, writer and director you may turn out to be, and if you work extra hard, this is the kind of person you may turn out to be.
24 isn't like other shows, where you set the look once and you're done. The show started at midnight, then moved to a pre-dawn look, and now we're at dawn and we're warming up the day.
When you are working, be the director's and producer's actor. Value their time and money, be punctual, disciplined, and don't misuse perks that you get as an actor.
Charan is very hard-working and non-egoistic, given the family he comes from. He is very open to listening, and he surrenders himself completely to the director. It was lovely to work with an actor like that.
I guess confidence is the only thing that I take from project to project, but I'm always open to learning everybody's style - the director, the actor I'm working with.
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