A Quote by Michael Hutchence
What we try to do with all of our albums, is live out our musical fantasies in the most honest fashion we know how...We want to include songs that lyrically cover subjects ranging from the heaviest things we've ever done to light-hearted experiences that can best be presented through sentimental bluesy ballads that are usually good for a chuckle or two.
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First of all, I've been having a wonderful run of luck with cover albums, songs I didn't write. I had five pop cover albums and two Christmas albums, and they were all very successful.
I've already done two cover albums. I don't know, maybe it wouldn't be a good idea to do another, but I just did the Led Zeppelin song for fun, and I thought I could do it kind of quick since songs that I love a lot I can do fast.
In life you can get a feeling which is part of a person, the same as in the songs. Music is almost our representation of our fantasies and so our songs are representations of our fantasies.
Let us ask... how things work at the level of on-going subjugation, at the level of those continuous and uninterrupted processes which subject our bodies, govern our gestures, dictate our behaviors, etc... we should try to discover how it is that subjects are gradually, progressively, really and materially constituted through a multiplicity of organisms, forces, energies, materials, desires, thoughts, etc. We should try to grasp subjection in its material instance as a constitution of subjects.
Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.
When I listen to a band like Pink Floyd, I don't know the names of the individual songs, I know the full albums. That's what we want for our albums.
There are, of course, inherent tendencies to repetition in music itself. Our poetry, our ballads, our songs are full of repetition; nursery rhymes and the little chants and songs we use to teach young children have choruses and refrains. We are attracted to repetition, even as adults; we want the stimulus and the reward again and again, and in music we get it. Perhaps, therefore, we should not be surprised, should not complain if the balance sometimes shifts too far and our musical sensitivity becomes a vulnerability.
We're very historically tried and true when it comes to our albums. We pick the best songs; we get rid of the songs we feel don't fit on the album, and we don't work on remixing or remastering albums.
I've always covered some Dylan songs. I do one or two. And I do them because they're great songs. You know some people cover songs they wish they could have written, not me. I like to cover songs I know I could not have ever written.
'Vol. 3' is the most pleasing of our albums to me. And I want to keep making albums that are different from each other. And you can bet all our albums will have that twist that only Slipknot can do.
I'm always looking for a cover subject that reflects the magazine, an interest in fashion, in culture, in society. We're trying to bring the world into the pages of 'Vogue.' We do that by tapping into the zeitgeists with our cover subjects.
I want to find out more about how the Backstreet Boys get their incredible sound. I've got both their albums and I would love to cover one of their songs
I just want to try everything. I want to see how good I can be, the best I can be at what I'm doing. I want to do everything. You know? I want to be in a musical. I want to do everything. I want to try and sing.
We are here to learn lessons and our birth chart tells us what our lessons are, what type of energy we possess in the first place, and how, by facing up to the challenges presented to us in life, spiritual growth will ensue. The birth chart is a 'tool' to guide us through our life. By understanding our basic make up, we can learn to make the most out of our positive points and try to improve on our weaker ones.
I have no idea how I do anything. I never have. You know I just started playing guitar and started singing and started working on this act that I would call "Don McLean" when I was probably in high school. And I have been doing this for 40 years, adding songs and writing things, cobbling together albums, doing live things, you know, albums and tours. And then I have records on the charts. I have no idea how this happened.
We want to connect all these musical worlds together. We just improvise; we know straight away if its going to work or not. They're not covers - I hate the word cover. We do a transcription: mix it up, put our own spin on it. I think people will be surprised how powerful our show is.
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