A Quote by Michael Hutchence
But we got up there and decided to stick to this mix of power chords and funk and that's where it really started for us. In having the courage to take that decision. To take a gamble not just with our music but our lives.
Related Quotes
But we got up there and decided to stick to this mix of power chords and funk and that's where it really started for us. In having the courage to take that decision. To take a gamble not just with our music but our lives
Unfortunately, unless we're focused on building up our courage, which gives us our self-confidence and all that we need to make quantum change in our lives, the voice of fear will always take the lead inside our minds.
Fear plays an interesting role in our lives. How dare we let it motivate us. How dare we let it into our decision-making, into our livelihoods, into our relationships. It's funny, isn't it? We take a day a year to dress up in costumes and celebrate fear.
It isn't possible to give government just a little control over the economy and our lives. Once we cede that power to government, it uses the power to take more from us. That's why every year the government controls more of our lives.
Many of us spend the first part of our adult lives becoming - stepping into the roles we take on so that they come to define our lives. But I've learned that we don't really grow up until we unbecome.
You ask why London has to 'stand for' anything. One response is that in fact it always inevitably does. One could say at the moment it stands for a complex mix of multiculturalism and financial power. Interestingly, that is a political mix of progressive and oppressive. What I'm arguing is simply that we should take responsibility for the effects of 'our place' around the world. To take responsibility for our embeddedness. If you don't want to, so be it. It does demand an imaginative engagement with our planetary interdependence and that can be quite challenging.
There should be just no end to what we can do when we operate with the courage of our convictions and we get out there in the street, in the voting booth, we assert our power and we take our democracy back.
Let's face it, who among us wouldn't take a pill or potion that would make us better at our job? Goodness knows, we abuse substances for just about everything in our personal lives; why not in our professional lives as well?
I don't tell anyone what they should do (drugs). It's like this music is so full of power and energy you don't really need to take anything if you just open up and let the music take you.
I was a huge fan of '90s hip-hop, and a lot of what they got their music from was funk and soul records. They just, like, take a clip of that and rap over it because, you know, that was just kind of what was up.
Voting is not only our right, it is our power. When we vote, we take back our power to choose, to speak up, and to stand with those who support us and each other.
There are very fundamental reasons we live our lives in social networks, and if we really understood the role they're playing in our society, we would take better care of social networks and find ways to take advantage of their power to improve our society.
There are very fundamental reasons we live our lives in social networks and if we really understood the role they're playing in our society we would take better care of social networks and find ways to take advantage of their power to improve our society.
Our breath is the most precious substance in our lives, and yet we totally take for granted when we exhale that our next breath will be there. If we did not take another breath, we would not last 3 minutes. Now if the Power that created us has given us enough breath to last for as long as we shall live, can we not trust that everything else we need will also be supplied?
I think whatever we've done as a band at The Clientele, we've done because it's so natural. Our "old" sound isn't really like any actual bands from old times. We take elements of past music styles and past sounds as a way to... this is going to sound very pretentious and perhaps overly thought-out, but as a way to strike chords of vague nostalgia, and strike chords of, "I've heard this before somewhere." That's what a lot of our music is about in terms of the words and ideas behind it, so we really use old sounds as a way to serve that agenda.
The whole idea is preserving the music and the art and not having us and our faces and our individual characters distract from that. That was the original idea, and now it's really become part of what Tool is. It has allowed us to really concentrate on our music and our show.
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