A Quote by Michael Hyatt

In hindsight I can see that my love for the arts began by watching my father and his colleagues perform on stage in Jamaica, and running a muck among the exhibits of fabulous Jamaican art at the National Gallery while mum was upstairs curating.
My dad came from Trinidad to Jamaica when he was 19. He had to go to Jamaica to join the British regiment, where it was based. After Sandhurst, he returned to the Caribbean as a junior lieutenant, based in Jamaica. He met my mum and became a Jamaican citizen.
For me, the idea of curating can be expanded. Curating science, curating art, music and theater and performance and not only bring those things into art but bring art into those areas.
Obviously, I rep Jamaica. I'm a first generation born Jamaican-American. My parents are born and raised in Jamaica, my grandparents are born and raised in Jamaica, my other family still lives in Jamaica, and I still go back there.
At our house, my father loved the arts. Among his favorite things was 'The Metropolitan Museum of Art Album of Miniatures' - a box set of small books on different art periods. I'd go into the living room at night and sit on the arm of his chair as he studied the images.
When you're in the muck you can only see muck. If you somehow manage to float above it, you still see the muck but you see it from a different perspective. And you see other things too. That's the consolation of philosophy.
When you're in the muck, you can only see muck. If you somehow manage to float above it, you still see the muck, but you see it from a different perspective. And you see other things, too. That's the consolation of philosophy.
My father was a TV scriptwriter. He would perform his dialogue out loud, while my mum transcribed it at the typewriter. So I grew up thinking that plucking characters out of the air was an extremely normal way to behave.
I like all sorts of art, that's why I love wandering around The National Gallery.
One of the crucial underpinnings of New York as a culture capital is that there are multiple markets. There is not just one art gallery district, there are several art gallery districts. I feel that there should be art galleries and art studios in every neighborhood without exception. They should be integrated into the social and physical fabric of the streets. If we want a lively city, we can't just have high towers and dense constructions, we have to have living organisms of streets and neighborhoods. And the arts are a crucial part of that.
Jamaican music can be aggressive, soulful, smooth and exciting all at once - just like hip-hop. At the same time, there's nothing like Jamaica in the United States. Jamaica is its own thing.
I was born in Jamaica, my whole family's Jamaican, and they always give me a hard time for being the least Jamaican member of the family. But I think it's their fault for naming me Sarah.
What exhibit buildings God will have! The historical exhibits, the scientific exhibits, the spiritual exhibits, to be able to see the marvelous wonders of the Spirit World!
Even with my family, I feel sort of 'other.' I'm the only one of my siblings who wasn't born in Jamaica. For a long time, I didn't feel very connected to Jamaican culture, but because I was raised so heavily with that cultural influence, I realized that my inner monologue is a Jamaican woman.
I don't have a favorite place to see art. I like to encounter it anywhere, museum, gallery, home, studio, street... I do prefer to see good art, when I see art, but it doesn't matter where I see it.
My father was a self-employed textile agent, and the shop below his office was an art gallery.
Public art is a unique type of art. It's very different to gallery art because it is something that we pass by every day and it inevitably creates a lot of discussion in a way that gallery art does not.
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