A Quote by Michael Ignatieff
We wanted this war and now we've got it, and I'm not sure that we know what to do with it.
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You don't achieve anything by stopping at the first sign of difficulty. If we'd stopped after Dieppe in World War II, where would we be right now as a nation? If we'd stopped before Vimy Ridge, we wouldn't have been a nation at all. Yes, you've got to know when to say "stop" as a leader, you sure do, but you've also got to know when to push for the final thing that's going to give you the full benefit.
Now that I've seen what war is, what civil war is, I know that everybody, if one day it should end, ought to ask himself: "And what shall we make of the fallen? Why are they dead?" I wouldn't know what to say. Not now, at any rate. Nor does it seem to me that the others know. Perhaps only dead know, and only for them is the war really over.
We all agree that we've got to bring these terrorists to justice and to make sure that they're never allowed to perpetrate such an evil act as they did. And so all of us are dealing with that. We know that the President has the authority to go to war under the War Powers Act.
The minute I got skinny and got a nose job and became photogenic, and all of a sudden I had a bidding war, and every boy I ever wanted, wanted me.
One very difficult decision was deciding to vote against the appropriations bill for the war. I had consistently said that I wanted to make sure our troops got the adequate and training in the war effort, despite the fact that I opposed the war at the point that the president decided to double down and send more troops. I had to vote against funding as a way of bringing it back to the table. That was a difficult decision for me.
It's funny - before, I would say I'm not sure I can change a diaper in my life and now it's, 'I got this, I'm a mom, I got this, I know what to do.' It's weird, you just get into this protective mode.
We've been at war for many years in Afghanistan following 9/11. We know that we've got young men and women on the ground now. We've got our blood and treasure at stake there already.
I've always wanted to be a rebel. I've never wanted to do what everybody else is doing. Man, I've got news for you, that is what I am really doing now, and it's the coolest thing ever. I got to know the person of Christ. I see him as one of the greatest rebels of all time. That's what really appeals to me. It's hope. It's victory.
I wanted to know the name of every stone and flower and insect and bird and beast. I wanted to know where it got its color, where it got its life - but there was no one to tell me.
I accomplished what I set out to do. I wanted the whole cookie, and I got it. Now I want to spend more time with my children - make sure they don't go through what I did.
I got my transferrable skills from working at entry-level, gauging what I wanted from my career, and making sure I had what it took to get the one I truly wanted. But now there's a Catch 22: school leavers need experience to get jobs, but they can't get experience without jobs.
I wouldn't want to go back over my life. I've done it all. I wouldn't have wanted to miss the Marine Corps. I wouldn't have wanted to miss the war. I wouldn't have missed college. Or playin' for the Colts. I got all the money I need. Five children. I got a truck. I have no regrets whatsoever.
I reached a place where I wanted to make more music, but I didn't know what I wanted. So I stopped labeling music by genre and just got into a studio to be creative. Now I write whatever feels instinctive.
The day after high school, I was off to basic training at the Great Lakes Naval Station. You gotta understand, we didn't care about sports. We wanted to win the war. We wanted to win the war! And at the time, we didn't know if we would.
I was 36 when I got married. I was so focused on, 'You wanted a husband, and you wanted a house, and you wanted children.' I've had all those things now.
As a young filmmaker, I shot a lot of stuff because I wanted to make sure that I got everything, but now I've gotten much more precise with my shooting. Editing is a whole other layer because then, sometimes you realize characters don't even need to say this or that. It becomes an issue of exposition, and over-explaining something. In the script, I'd reinforce certain things about what I wanted people to know two or three times, but in the editing room, I'd be like, "I only need to say this once, maybe twice."
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