A Quote by Michael Imperioli

Everybody I play probably has some Italian in them. — © Michael Imperioli
Everybody I play probably has some Italian in them.
Most everybody who's Italian is half Italian. Except me. I'm all Italian. I'm mostly Sicilian, and I have a little bit of Neapolitan in me. You get your full dose with me.
In America most everybody who's Italian is half Italian. Except me. I'm all Italian. I'm mostly Sicilian, and I have a little bit of Neapolitan in me. You get your full dose with me.
Everybody has different tastes. Some people love Italian food; some don't.
We were raised in an Italian-American household, although we didn't speak Italian in the house. We were very proud of being Italian, and had Italian music, ate Italian food.
There are lots of wonderful old Italian actors. You don't need to take an Egyptian to play an Italian actor.
I was lucky enough to play for the top three Italian clubs during the golden era of Italian football, so I have no regrets.
If Shakespeare had lived in our age, he would have been sued for writing Romeo And Juliet, because as everybody knows, he plagiarized that from an Italian play.
If you were to sit me down in a classroom, with fluorescent lights humming and some woman trying to teach me Italian, there's no way. But scream goes to Italy, we stay in a squat, and the only way you can ask someone where to take a piss is to do it in Italian. So I learned Italian.
I went to schools that were small enough that basically everyone was in a play. I played a bouncing ball in a production of Alice in Wonderland and a fat man in an Italian commedia dell'arte play. I was given some small chances.
I also want to go to an Italian island and do cuisine properly with some famous Italian chef and, like, his mother.
Your life is like a play with several acts. Some of the characters who enter have short roles to play, others, much larger. Some are villains and others are good guys. But all of them are necessary; otherwise, they wouldn't be in the play. Embrace them all, and move on to the next act.
I could sing and play as well. I've got some brothers; one of them is the drummer in the band. They're good musicians. I play for fun. They play properly. Music in general, I grew up in a house of musicians. Everybody's life has a soundtrack, I'm sitting here talking to you but there are horns beeping outside. I know I'm in New York. That's an element in the film as well. How strong that sense can be.
At the first meeting I had with the (Italian) bishops in May 2013, one of the three things I said was: with the Italian government you're on your own. Because the pope is for everybody and he can't insert himself in the specific internal politics of a country. This is not the role of the pope, right?
I was offered to play an Italian part in an Italian film. Although I could not take it up because I did not have the time, the kind of characters being offered to us are changing.
I could play a cop, I could play a crook, I could play a lawyer, I could play a dentist, I could play an art critic-I could play the guy next door. I am the guy next door. I could play Catholic, Jewish, Protestant. As a matter of fact, when I did The Odd Couple, I would do it a different way each night. On Monday I'd be Jewish, Tuesday Italian, Wednesday Irish-German-and I would mix them up. I did that to amuse myself, and it always worked.
Pedro Almodóvar asked me to watch italian films again as homework to look at the energy of all those women from the Italian neo-realist films. A lot of them had those characters that represented motherhood. For some reason, in the '50s in Italy, the mother figure was very important - and my character needed to have that energy.
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