A Quote by Michael Isikoff
Potentially significant, by the way, because we don't know exactly what's in Matt Cooper's notes, and we don't know - and we don't still know the answer to the crucial question of whether it was Rove or somebody else that revealed Valerie Plame's name to him.
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Karl Rove told me about Valerie Plame's identity on July 11, 2003. I called him because Ambassador Wilson was in the news that week. I didn't know Ambassador Wilson even had a wife until I talked to Karl Rove, and he said that she worked at the Agency and worked on WMD.
If the President really wanted to know exactly how Rove and Libby were involved, he could walk down to their offices and demand that they answer him honestly.
Mr. Luskin also says that Rove did not knowingly disclose classified information and did not tell any reporters that Valerie Plame worked for the C.I.A.
I see women who have this struggle between what they know is right, what they know is necessary, what they know is healthy, what they know is good for them, what they know is good for the work that they need to do, what they know is good for their bodies, what they know is good for their families - all too often ending that statement with the upturned question mark: "If it's okay with everyone?" Still asking, still requesting, still filing petitions for somebody to say that it's all right.
Rove and his attorneys can parse the words all they want, but it is now clear that while Rove may not have given a reporter Plame's name, he clearly identified her by telling the reporter that Joseph Wilson's wife was a CIA agent.
We humans have had from time unknown the compulsion to name things and thus to be able to deal with them. The name we give to something shapes our attitude toward it. And in ancient thought the name itself has power, so that to know someone's name is to have a certain power over him. And in some societies, as you know, there was a public name and a real or secret name, which would not be revealed to others.
Exactly!" said Deep Thought. "So once you do know what the question actually is, you'll know what the answer means.
If - you know, it seems to me that if we see Matt Cooper being carted off to jail today, a lot of people may find that, you know, a very upsetting thing.
If you are thinking about something that happened a long time ago: Somebody asked you a question and you did not know the answer. That is my name.
Is there water still on Mars? I don't have a view on that because we don't have good data to answer that question. One of the biggest mistakes you can make if you're a scientist is to think you know the answer, or wish for a certain answer, before you actually have it.
Can I say something? Um, I'm the type of person that if you ask me a question and I don't know the answer, I'm gonna tell you that I don't know. But I bet you what, I know how to find the answer and I will find the answer.
You know what somebody else's fundraise metrics are to you? Irrelevant. You know what your own last round post was? Irrelevant. Yes, I know, not legally, because of those pesky rights and preferences. But emotionally, trust me: it is irrelevant now. We even have a name for this - valuation nostalgia.
By asking a novel question that you don't know the answer to, you discover whether you can formulate a way of finding the answer, and you stretch your own mind, and very often you learn something new.
If you are a designer, sometimes it is better not to delegate, because someone pays money for something that you designed, so it should be exactly the way you want it, exactly the way you would have chosen it. People call me a control freak, and I say, "Well, my name is on the shoe." It means the heel needs to be the way I want it and not the way somebody else wants it, and the toe needs to be exactly the way I want it, and the fabric and the material have to be exactly the way I want it. It is not a democracy - it is a dictatorship.
When I'm writing with Tony Iommi, for example, still it's very easy. We go in, and I know exactly what his style is. It's very distinctive, and you know exactly what he's looking for, and we know exactly where we're going from the first chord.
He wasn't sure exactly which day, but what's noteworthy about that is that is also before Valerie Plame is first identified in the Robert Novak piece that ran on Monday, July 14.
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