A Quote by Michael J. Fox
With Parkinson's, it's like you're in the middle of the street and you're stuck there in cement shoes and you know a bus is coming at you, but you don't know when. You think you can hear it rumbling, but you have a lot of time to think. And so you just don't live that moment of the bus hitting you until it happens. There's all kinds of room in that space.
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Directing your first film is like showing up to the field trip in seventh grade, getting on the bus, and making an announcement, 'So today I'm driving the bus.' And everybody's like, 'What?' And you're like, 'I'm gonna drive the bus.' And they're like, 'But you don't know how to drive the bus.'
I don't really like living in a very small space, like a tour bus, even though I have an amazing tour bus, and I've had multiple tour buses. It's still not a lot of room.
The way I see it, truth only looks good when you're looking at it from far away. It's kind of like that beautiful girl you see on the street when you're riding past in the bus... there she is, this amazing girl walking by on the street, and you think if you could only get off this stupid bus and introduce yourself to her, your life would change. The thing is, she's not as perfect as you think, and if you ever got off the bus to introduce yourself, you'd find out... This girl is truth. She's not so pretty, not so nice. But then, once you get to know her, all that stuff doesn't seem to matter.
As the bus slowed down at the crowded bus stop, the Pakistani bus conductor leaned from the platform and called out, "Six only!" The bus stopped. He counted on six passengers, rang the bell, and then, as the bus moved off, called to those left behind: "So sorry, plenty of room in my heart - but the bus is full." He left behind a row of smiling faces. It's not what you do, it's the way that you do it.
You know, some people say life is short and that you could get hit by a bus at any moment and that you have to live each day like it's your last. Bullshit. Life is long. You're probably not gonna get hit by a bus. And you're gonna have to live with the choices you make for the next fifty years.
I mean, when you think about it, it's 'bombs bursting in air,' 'rocket's red glare,' it's all kinds of - you know a lot of national anthems are that way, too - all kinds of military jargon, and the land - there's only one phrase 'the land of the free,' which is kind of nice, and 'the home of the brave?' I don't know....Are we the only ones who are brave on the planet? I mean, all the brave people live here I mean, it's just stupid, I think. I'm embarrassed, I'm embarrassed every time I hear it.
Live and let live, be and let be, Hear and let hear, see and let see. . . . Live and let live and remember this line: 'Your bus'ness is your bus'ness and my bus'ness is mine.'
Is that your final answer? Here in New York garbage men, bus drivers, taxi cab drivers, bus drivers, whoever, you know, people just yell it out to me. So that was a lot of fun.
I wrote 'Millie's Cafe' driving out of Ft. Worth, Texas one time. I was in a dust storm in my old bus. Beer inside. It was like a sailboat, you know...we couldn't see anything. Some things about Texas are so different than Ontario. I was just thinking about how different it is from where I live and, you know, whatever happens to inspire a song happened.
Look, I don't really know where we should take this bus. But I know this much: If we get the right people on the bus, the right people in the right seats, and the wrong people off the bus, then we'll figure out how to take it someplace great.
I'm in the middle of just trying to impress my nieces, who think I work for the bus company because they saw a picture of me on a bus. I did an independent movie with Mark Pellington (I Melt with You), and then tried to impress my nieces again, by starring opposite Miley Cyrus (in So Undercover). So, basically I'm just trying to get some respect from my family.
You probably know the name of Rosa Parks. You probably know that her refusal to move to the colored section in the back of a city bus sparked the Montgomery bus boycotts, one of the pivotal moments in the American civil rights movement.
In real life, the most important decision you ever make is, where does reality leave off and make-believe begin? If you make a mistake about that, you're dead. You know, you're out on the street corner. You think there's no bus coming. You step out, you're dead.
Coming home, we stopped for a bite to eat and ran into a confused waitress. Had a heart-rending time trying to speak the Words of Life to her, and as I think of all this country now, many just as confused, and more so, I realized that the 39th Street bus is as much a mission field as Africa ever was.
When you're super passionate about something, you're more willing to do all of the grunt work. You know, like, I'm so willing to live on a bus for my whole life because that means I get that one moment on stage or that one moment in the studio that totally fills me.
There are going to be times when we can't wait for somebody. Now, you're either on the bus or off the bus. If you're on the bus, and you get left behind, then you'll find it again. If you're off the bus in the first place — then it won't make a damn.
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