A Quote by Michael J. Jackson
That really hurt me- I tried to help those children but people just wanted to make fun of me.It was cruel and unnecessary.
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It doesn't hurt me on a personal level, but it hurts me on a larger level of like, why are people so stupid? Why do we have to go through these unnecessary exercises. Fight crime, don't fight me. If you really want to make a difference don't fight me or Fugazi.
I was really fortunate. I don't believe in luck so I was really fortunate. God really blessed me in terms of my health. ... I was really healthy. But I tried to do my part in terms of preparation, in terms of perseverance. I tried to do my part to make sure that I was always ready to play and try to stay ahead of the game. I tried to beat people with my mind. I wasn't the biggest or the one that jumped the highest, but I had a real high basketball IQ and I knew it. ... I was a student of game and tried to prepare and be professional and have a good attitude. All of those things helped me have a long career.
There's no doubt about it: fun people are fun. But I finally learned that there is something more important, in the people you know, than whether they are fun. Thinking about those friends who had given me so much pleasure but who had also caused me so much pain, thinking about that bright, cruel world to which they'd introduced me, I saw that there's a better way to value people. Not as fun or not fun, or stylish or not stylish, but as warm or cold, generous or selfish. People who think about others and people who don't. People who know how to listen, and people who only know how to talk.
I just figured that, for me to get the best out of myself and do the right thing by myself, I really just needed to step away and find out what I really wanted to do and hopefully getting back to where my people are from and getting out bush could really re-energise me and help heal those wounds.
Without changing my style and who I am, they [Trent Willmon and Dan Couch and Dale Oliver ] know how to draw those things out of me. It was a really cool experience on this record, because I tried really hard on the writing to make sure that I wasn't just writing it just like I wanted to.
I used to have costumed characters come out, like SpongeBob. It's just fun to make it into this minor event, just to surprise people and experiment and be weird and just have fun with it. I've done just the hour stand-up, and that's fun, but the other stuff makes it fun for me and gives me something to react to and bounce off of.
Just dwelling on the past, I think it's really important for me to surround myself with positive people and just work really hard and really make the most out of the opportunity that God has given me, being able to make music, which I always wanted to do.
I just really strongly promote pushing against this culture of perfection. I mean, I'm sorry, for me, Spanx don't feel good. I've tried one of those waist-trainer things on - that hurt like the bejesus.
I do what I do to inspire people. They can't be inspired by an ego, a big-headed person. It doesn't work. It doesn't match. And I really want to be that role model for people, for children. I want to be real. To my fans, I want them to view me as a real person. Don't put me on a pedestal. I'm human. I make mistakes, I cry, I hurt - just like you.
I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
I remember people saying that Atletico wanted me, that they are a big team, and that it will be a big challenge for me. I don't know why, but I just felt really prepared for it, really confident. I went there and tried to do my best in training as well as learn the language really quickly. That was important, I think.
I tried [being a mogul]. It bores me. I don't really want to produce other people's movies. Because they're either grown-up filmmakers like Steven Soderbergh or Kathryn Bigelow that didn't really need me - and I've produced both of them. It's fun to sit around with them and be collegial, but they don't need me. They can make the film without me. I make my own stuff. There are tons and tons of other things I'm interested in that have nothing to do with movies or are documentary projects.
The strange thing about my life is that I came to America at about the time when racial attitudes were changing. This was a big help to me. Also, the people who were most cruel to me when I first came to America were black Americans. They made absolute fun of the way I talked, the way I dressed. I couldn't dance. The people who were most kind and loving to me were white people. So what can one make of that? Perhaps it was a coincidence that all the people who found me strange were black and all the people who didn't were white.
People tried to do a lot of stuff with me early in my career where they tried to shape me into one thing or another. They couldn't just take the chance and go with my vision - which was just my intuition, really.
I find that the only way to make my characters really interesting to children is to exaggerate all their good or bad qualities, and so if a person is nasty or bad or cruel, you make them very nasty, very bad, very cruel. If they are ugly, you make them extremely ugly. That, I think, is fun and makes an impact.
It really is great. Especially having people who we make fun every week come on and poke fun at themselves is really cool, I love that. No reality star has been mad at me yet for making fun of them. I'm sure that one day soon though, someone is going to take a swing at me.
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