A Quote by Michael J. Knowles
The purpose of language is to communicate. That's the most basic definition of language. I have my own subjective experience going on in my head, and you have your own subjective experience going on in your head. The only way we can bridge that unbridgeable gap is through language.
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One way to think about what psychedelics are is as catalysts for language development. They literally force the evolution of language. You cannot evolve faster than your language because the language defines the culture of meaning. So if there's a way to accelerate the evolution of language then this is real consciousness expansion and it's a permanent thing. The great legacies of the 60's are in attitudes and language. It boils down to doing your own thing, feeling the vibe, ego-trip, blowing your mind.
You can have your own language. You can have your own dialect; you can have your own way of saying things, but if you don't actually understand the way the language fits together, it's chaos.
The most delightful aspect about the language of cinema is that it speaks to each of us in different ways - it is a purely subjective experience.
UG [universal grammar] may be regarded as a characterization of the genetically determined language faculty. One may think of thisfaculty as a 'language acquisition device,' an innate component of the human mind that yields a particular language through interaction with present experience, a device that converts experience into a system of knowledge attained: knowledge of one or another language.
That is a horrible thing in a way, but it is the one thing poets can bring back to experience, this intense focus on language, which activates words as a portal back into experience. It's a mysterious process that's very hard to articulate, because it's focused entirely on the material of language in a way, but in the interests not just of language itself whatever that would mean - that's the mistake, by the way, that so many so-called "experimental" poets make - but in service to human experience.
I don't hate language. I have my own language, but I also enjoy the English language. Obviously, you don't read a lot of literature and not care about language.
The job of the poet is to use language effectively, his own language, the only language which is to him authentic.
In Italy, you're in your comfort zone when it comes to language, lifestyle, your habits and preparations, and moving abroad is not easy. It's not easy to carry over your own ideas about football, your own methods. You have to get everything across in a different language, and that wastes a lot of energy.
The earliest language was body language and, since this language is the language of questions, if we limit the questions, and if we only pay attention to or place values on spoken or written language, then we are ruling out a large area of human language.
It's difficult to act in a language that's not your own. It takes a long time to put your head around it and feel confident with it.
In my experience, writing a novel tends to create its own structure, its own demands, its own language, its own ending. So for much of the period in which I'm writing, I'm waiting to understand what's going to happen next, and how and where it's going to happen. In some cases, fairly early in the process, I do know how a book will end. But most of the time, not at all, and in this particular case, many questions are still unanswered, even though I've been working for months.
Sci-Fi is incredibly challenging and has its own language. I have to speak its language; it's not going to learn mine.
Some feminist critics debate whether we take our meaning and sense of self from language and in that process become phallocentric ourselves, or if there is a use of language that is, or can be, feminine. Some, like myself, think that language is itself neither male nor female; it is creatively expansive enough to be of use to those who have the wit and art to wrest from it their own significance. Even the dread patriarchs have not found a way to 'own' language any more than they have found a way to 'own' earth (though many seem to believe that both are possible).
Physics is to be regarded not so much as the study of something a priori given, but rather as the development of methods of ordering and surveying human experience. In this respect our task must be to account for such experience in a manner independent of individual subjective judgement and therefore objective in the sense that it can be unambiguously communicated in ordinary human language.
All the academy will tell you that the language that is familiar to you is not appropriate. and that's not to say that there shouldn't be a standard, but when I come to school with my friends' language, my grandmother's language, the language in my mouth - you're going to tell me that's improper?
The one and only substitute for experience which we have not ourselves had is art, literature. We have been given a miraculous faculty: Despite the differences of language, customs and social structure we are able to communicate life experience from one whole nation to another, to communicate a difficult national experience many decades long which the second of the two has never experienced.
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