A Quote by Michael Jackson
The key to being a wonderful writer is not to write. You just get out of the way. Leave room for God to walk in the room. And when I write something that I know is right, I get on my knees and say 'thank you.'
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When I go into a room to write, it's like I'm not trying to say, 'I need to write a song that sounds like Eric Church or Jason Aldean.' I just try to get the best song that's in the room that day. Whatever style or sound that may be, I'm not afraid to attack it at that angle.
There are many nations that have perfected a particular room. You know, you have the French drawing-room, the Austrian ball room, the German dining room, and I think the library is a room the English get right.
I don't get writer's block. I don't try to write anything; when something comes, I write it. I just practice and when I get an idea I write it down.
Sometimes you don't really know what you're going to write about. I mean, there's times where you get into a writing room and it's a complete flop. And then there's times where you get to a writing room and you're like, 'Oh, I'm just on a roll.'
Friends will write me letters. They run out of room on the front of the letter. They write 'over' on the bottom of the letter. Like I'm that much of a moron. Like I need that there. Because if it wasn't there, I'd get to the bottom of the page: 'And so Kathy and I went shopping and we--' That's the craziest thing! I don't know why she would just end it that way.
The role of my agent has just been to get me in the room. If I can get in the room - say the character is just a charming man who lives next door - then I'll walk in there and be as charming as I can and they will think to themselves, 'I don't see why we can't cast him.'
The role of my agent has just been to get me in the room. If I can get in the room - say the character is just a charming man who lives next door - then I'll walk in there and be as charming as I can and they will think to themselves, 'I don't see why we can't cast him.
I sat down and tried to write a story. "Ian MacArthur is a wonderful sweet fellow who wears glasses and peers out of them with delight." That was the first sentence. The problem was that I just couldn't think of the next one. After cleaning my room three times, I decided to leave Ian alone for a while because I was starting to get mad at him.
I can sit in my room and write a song that I think might be a hit. I can sort of make myself do that, and then I'll play it to a friend, and they'll say, 'Oh, that's nice.' But when something happens to me, and I sit down and write a song to get rid of my emotions, they'll turn around and say, 'Wow, that's great.'
There's no writers room, or any other writer involved. I write everything from beginning to end. Maybe it's just me not being able to let go of something, especially with 'Peaky.'
Do you have your own room, Charlie Brown?" "Oh, yes... I have a very nice room." "I hope you realize that you won't always have your own room... Someday you'll get drafted or something, and you'll have to leave your room forever!" "Why do you tell me things like that?" "It's on a list I've made up for you... I call it, Things You Might As Well Know!
I never write something and consciously embed political commentary or any other kind of commentary. I just try to get the characters into a room or out of a room, or onto the plane, or through the grocery store. The political stuff, the class stuff, the gender stuff, is in the air, it's in their interactions, because it's there for all of us.
My attitude about death is, going into the next room, and it's a room that the rest of us can't get into because we don't have the key. But when we do get the key, we'll go in there, and we'll see one another again, in some shape or form or whatever. It's not the end.
If you walk into a room, and there is no one that's not like you there, whether it's a woman or a person of color, anyone that's different from you, you should be able to say this is a problem. We need allies in that room to say that video, this room, this company, these ideas, this film, this whatever, this is not right - this is not good enough.
I did not always know I would be a writer. Until I had a room of my own, I did not write much at all - no more than any other child who read a lot of books. I began to write fiction and poetry when I first had a room that was truly my own with a door that shut and some measure, however fragile, of privacy.
There were times that we'd be in the locker room there before everyone else, and a guy would walk in, say, 'Is this the Kliq locker room?' So we'd draw with a sharpie on the back of a program and write 'Kliq locker room'. I can promise you that none of those signs were ever on WWE letterhead.
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