A Quote by Michael Jackson
The Earth we share is not just a rock tossed through space, but a living, nurturing being. She cares for us, she deserves our care in return.
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Turtles remind us that the way to heaven is through the earth. In Mother Earth is all that we need. She will care for us, protect us, and nurture us, as long as we do the same for her. For that to happen, we must slow down and heighten our sensibilities. We must see the connection to all things. Just as the turtle cannot separate itself from its shell, neither can we separate ourselves from what we do to the Earth.
Octavia Spencer rocks. But just as a human being, she's so down-to-earth. Talk about being pleasantly surprised. You walk onto set, and she's making these jokes, and she's playing around with the cast and the crew, and she invited all to her house for a dinner party. She's just a genuinely good person.
My mother is a rock. She's my rock, she's Ariana's rock, and she has been a huge example of how to get through some difficult situations with strength, dignity, her head held high.
We have a double standard, which is to say, a man can show how much he cares by being violent-see, he's jealous, he cares-a woman shows how much she cares by how much she's willing to be hurt; by how much she will take; how much she will endure; how suicidal she's prepared to be.
On 'Hairless Toys,' I've tried to create an ambiguous character to go with an ambiguous record. She's anything but rock n' roll - she's so not rock n' roll that, in a twisted way, she's kind of radical. She's like someone from my memory, almost like my mother, and she's lost in some space-time between the 1960s and the late '80s.
My mother taught us to play baseball, to bake a cake, to play fair - she beat the living daylights out of us sometimes, and she loved us with all her heart; she taught her favorite poets, and there is no child care in the world that will ever be a substitute for what that lady was in our life.
Gabbe jumped up and seized the cocanut first, giving its contents a sniff. "Arriane, she has just been through a trama," she scolded. Arriane tossed her shoulders back. "Precisely why she needs something with a kick," she argued, holding the tray possessively while she and Gabbe engaged in a stare-down. "Fine," Arriane said, looking away from Gabbe.
In the Craft, we do not believe in the Goddess - we connect with her; through the moon, the stars, the ocean, the earth, through trees, animals, through other human beings, through ourselves. She is here. She is within us all.
She goes where she pleases. She appears unhoped for, uncalled for. She moves through doors and walls and windows. Her thoughts move through minds. She enters dreams. She vanishes and is still there. She knows the future and sees through flesh. She is not afraid of anything.
A girl must allow others to share the responsibility for care, thus enabling others to care for her. She must learn how to care inways appropriate to her age, her desires, and her needs; she then acts with authenticity. She must be allowed the freedom not to care; she then has access to a wide range of feelings and is able to care more fully.
Madonna was very cool. I thought she was really nice, really present, and she worked really, really hard... She didn't necessarily know our real names in real-life, because why should she? Who cares? Some of the cast were really offended, like, 'She doesn't even know my name!' I'm like, 'Who cares? Madonna's doing our show. It doesn't matter.'
And yet, even as she spoke, she knew that she did not wish to come back. not to stay, not to live. She loved the little yellow cottage more than she loved any place on earth. but she was through with it except in her memories.
We come from the land, give our love and labor to her, and she nurtures us in return. When we die, we return to the land. In a way, she owns us. Palestine owns us and we belong to her
Richard started to walk away. Zedd called his name. He stopped and turned. Just be glad she cares for you as much as she does. If she didn't, she might have touched you." Richard stared back at him a long moment. "I'm afraid, in a way, she already has.
I love Marilyn Monroe. I think she was the coolest blonde. I think like me she just didn't care what anyone thinks. She's happy. She's smiling. I don't know, I just always thought she was so beautiful and she just seemed, like, magical.
That came from my mother. She was the biggest influence on my life. I remember once refusing to get on a bus with her because she was wearing a mink, and I thought we should be taking a taxi. She just said, 'Who cares what people think?' and I remember sitting on that bus, being utterly embarrassed, but knowing somehow that she was totally correct.
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