A Quote by Michael Jackson

On the brilliance of James Brown's dancing ? and the frustrations of bad camera-work on dancers:cers: I think James Brown is a genius you know when he's with the Famous Flames, unbelievable. I used to watch him on television and I used to get angry at the camera-man because whenever he would really start to dance they would be on a close-up so I couldn't see his feet. I'd shout "Show him! Show him!", so I could watch and learn.
James Brown opened at least six of our House of Blues clubs. He always delivered, but he demanded the respect of an emperor. But, come on, he's James Brown ! ... I got to play on stage with him. Did he ever fine me ? (Brown was known to fine players for flubbing notes or steps) - I would have loved to have been fined by James Brown !
Michael Jackson loved studying the greats. He felt that they could only add to what he did naturally. He was absolutely right. I mean, he studied James Brown for years when he was 10 years old, because the Jackson 5 would open for James. He studied him. He studied Fred Astaire. He loved to watch Fred's movies.
When I first played New York, it was with James Brown at the Apollo, and I was playing in a band under the name The Valentinos. I remember Sam Cooke saying, 'I want you to go in there with James Brown. I couldn't be as hard on you as James Brown would be.' But we came out marching like soldiers.
Rahul Dravid is my role model. I always used to watch him on the television. Now I get to interact with him up-close.
I always had dreams that I could be on television. I used to watch 'The Late Show' with my dad, and I'd make him pause the VHS whenever the audience laughed to explain jokes to me. But it's hard to just 'get into TV.'
You can't really dance properly to James Brown. If you dance to James Brown, you look like an idiot. There's a lot of jerking.
He's definitely someone who helped mold and shape hip-hop with his music. I would put him in the category of James Brown, the Honeydrippers and Chic. He gave the B-boys and B-girls a track to dance to, but it would only be a DJ or an MC who knows who Billy Squier is.
I used to watch Monte Irvin play when I was a kid. I idolized him. I used to wait in front of the ballpark just for him to pass by so I could see him.
I used to break dance. I can do some good James Brown footwork. But now I think I've danced too much. My girlfriend made fun of me: 'Enough with the dancing.'
I used to come up to Scotland to see my uncle play and I would also watch him whenever he was on the TV.
Yeah, when you work with somebody that famous everybody wants to know what are they like or - but I know some of the movies that I know because they're more like NOBODY'S FOOL or like that, because I don't really watch the big R movies, I haven't really seen them so much. I loved him [Bruce Willis] from his TV show and some of the smaller movies he's done. The bigger movies I start to space out in, like, there just so, I don't really watch those kind of movies so much.
I love James Brown, and as a baby, I was always dancing to James Brown.
I'm thinking I would like to dance in the rain with this person. I would like to lie next to him in the dark and watch him breathe and watch him sleep and wonder what he's dreaming about and not get an inferiority complex if the dreams aren't about me.
Working with Monk brought me close to a musical architect of the highest order. I felt I learned from him in every way--through the senses, theoretically, technically. I would talk to Monk about musical problems, and he would sit at the piano and show me the answers just by playing them. I could watch him play and find out the things I wanted to know. Also, I could see a lot of things that I didn't know about at all.
My dad took me to see James Brown live, and that's so cool, cause I don't think many people my age can say they saw James Brown. I'm pretty proud of that. That's the thing about me that no one really knows. I had to have been 6 or 7, but I remember it vividly.
The James Brown we saw tended to be the James Brown we chose to see: as the caped crusader of funk and soul, adored by millions, or as the face in a seemingly endless series of mug shots. The ways in which he appealed to and appalled different audiences made Brown a kind of national Rorschach test.
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