A Quote by Michael Jackson

She's saying that's ok, Hey baby, do what you want I'll be your night lovin' thing I'll be the freak you can taunt And I don't care what you say I want to go too far I'll be your everything If you make me a star... Dirty Diana
If you go with what Hillary [Clinton] is saying, in the ninth month, you can take the baby and rip the baby out of the womb of the mother just prior to the birth of the baby. Now, you can say that that's OK and Hillary can say that that's OK. But it's not OK with me, because based on what she's saying, and based on where she's going, and where she's been, you can take the baby and rip the baby out of the womb in the ninth month on the final day. And that's not acceptable.
Every night, my girlfriend comes home from work, and she brings with her a houseplant. She's like, 'Anthony, I had to pick this up. We need a houseplant in our apartment.' And every night, I make her return it. I say, 'No way, baby. You can't take care of a houseplant. You couldn't even keep your baby alive.'
It's like a mother, when the baby is crying, she picks up the baby and she holds the baby tenderly in her arms. Your pain, your anxiety is your baby. You have to take care of it. You have to go back to yourself, to recognize the suffering in you, embrace the suffering, and you get a relief.
No," she said firmly. "I want you to stay when I go. Break tradition again, my love, and burn me alone in the home we built. I don't want you with me. You aren't done. You see too far ahead. You need to make the world in your thoughts a real one that our children can fly in." - Matalina to Jenks
It's saying no. That's your first hint that something's alive. It says no. That's how you know a baby is starting to turn into a person. They run around saying no all day, throwing their aliveness at everything to see what it'll stick to. You can't say no if you don't have desires and opinions and wants of your own. You wouldn't even want to. No is the heart of thinking.
We used to say I don't care if I never have any money As long as I have my sweet honey and a shack in the woodland Now we say I don't care if I don't have money, but it's not true We can't live without money, no, because we don't want to We want one of those and two of those, and oh that one looks neat, wrap it up Put it on my MasterCard. Put it on my Visa And I sing it now, hey hey, hey hey, who woulda thunk it Hey hey, hey hey, who woulda thunk it.
I am alone in the world, and yet not alone enough to make each hour holy. I am lowly in this world, and yet not lowly enough for me to be just a thing to you, dark and shrewd. I want my will and I want to go with my will as it moves towards action. And I want, in those silent, somehow faltering times, to be with someone who knows, or else alone. I want to reflect everything about you, and I never want to be too blind or too ancient to keep your profound wavering image with me. I want to unfold. I don't want to be folded anywhere, because there, where I'm folded, I am a lie.
She thinks she knows everything that goes on inside me, and she doesn’t know a thing. What did she want from me – to tell the truth all the time? To run around saying it did matter to me that I live in a world where you can grow old and be alone and have to get down on your hands and knees and beg for friends? A place where people just sort of forget about you because you get a little old and your mind’s a bit senile or silly? Did she think that didn’t bother me underneath?
Is everybody that depressed? It's a depressing feeling to me. You know: "I lost my baby." I don't care if you lost your baby, I care if you're feeling OK. Don't tell me your problem - tell me what good's been happening to you.
The last thing the world needs is another boring person or another boring brand, so embrace all the things that make you different. Alter your clothes all you want, but don't you dare alter your inner freak - she's got your back as much as I do.
When you do comedy, the audience is not your boss. They are your collaborators and when you collaborate with someone you don't have to listen to everything they think or say. Sometimes you're not getting the laughs you want or at the place you want but that doesn't mean it's not funny. It means you haven't explored it enough. I'll get laughs in the places I don't want them and that makes me realize the direction I want to go in.
If you want someone to say, 'She's so sweet, and she's so cute, and, honey, point your foot,' that's not my school. You can go to the YMCA and have a nobody teach your kid if that's what you want to hear.
You have a right to say no. Most of us have very weak and flaccid 'no' muscles. We feel guilty for saying no. We get ostracized and challenged for saying no, so we forget it's our choice. Your 'no' muscle has to be built up to get to a place where you can say, 'I don't care if that's what you want. I don't want that. No.'
Once she was certain, she didn't waiver. I had to make her stop for water or a bite to eat. She obeyed, but she was restless. As clear as if she spoke to me, she was saying, "Very well, I know you want to keep my strength up, but scent fades, you know!" And I'd say, "I know, girl, buy you're what I have and I'm going to take care of you.
I'm not a movie star like other actors in the way that I need to walk around with a bodyguard. My goal is just to get some interesting parts and make enough money to live free. Otherwise, to be a movie star, it's a lot of compromise and also a lot of headaches. You can't do what you want. You become a prisoner of your fame. This happened to me in France and I don't want it. I want to go to the terrace of a café, have a coffee. I have no problems with the fact that people recognize me, I'm very glad about it, but to be a movie star is kind of unreal for me.
Most of the time, I don't like planning out too far ahead. I like to be spontaneous, make decisions, and go, 'Hey! That inspired me! I want to do more with that!'
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