A Quote by Michael Jackson
Going to my shows, it's like a religious experience, because you come out, you go in one person, you come out a different person.
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The old idea is that when tragedy strikes or when an obstacle blocks us, there are only two possibilities. We either become a smaller person or we become a bigger person. If it's a real life change you cannot come out the same. So therefore, you're either going to come out smaller or you're going to rise up and ultimately come out of it a bigger person.
I know that, physically, I'm a very demure-looking person. But I certainly have as much aggression or anger as the next person, and that's got to come out somehow. I'm lucky that I get to play music, and that it's not going to come out in some totally destructive way.
You go into the disease as one person and come out of it as a different person. It has changed my perspective on everything. Things that used to upset me no longer do.
When they come out to my shows they like me but trying to get them to come out to my shows they're like "I don't want to go and see that old guy" But when they do they totally get it.
If you can go out with your live show and turn people on to that, where you have that fan base that's religious and they're going to come see you when you're in that town, once your radio success is gone and you're not a mainstream guy anymore you can still go out and play your shows.
I think people kind of come up and go, "Why hasn't that person busted out?" Almost always at the end of career, what you find out is that either consciously or subconsciously success hasn't happened because that person hasn't chosen for it to happen. Either through walking away because it wasn't the life they wanted or through self-sabotaging because they weren't ready.
Again, although I'm not a particularly religious person, I go back to the religious left that I come out of: There are moral imperatives to fight back. As Daniel Berrigan says, "We're called to do the good." And then we have to let it go. It's not our job to know where the good goes.
Is it different to come out now than it was to come out thirty-five years ago? Sometimes. But if you come out now and you come from poverty and you come from racism, you come from the terror of communities that are immigrant communities or communities where you're already a moving target because of who you are, this is not a place where it's any easier to be LGBT even if there's a community center in every single borough.
Every time I got drunk, this girl named Nikki would show up. When I got drunk, I was just a different person. This is a totally different person than Lisa. When these two started to battle it out, I had to create a third person to come in and straighten the two of them out. Nina, my evil twin who came from within, who I blame my sins on. (satanic alter) All the problems I did have stemmed from what I was doing - I was creating all these different personalities.
I'm actually an impatient person. I'm very suited for television because with the process, it's six weeks from the time you come up with an episode until when it airs. We can't drag it out that long. With film, and this is not a profound observation or an original one; it can go on endlessly unless the movie's like incredibly topical. That's the challenge for me, as an impatient person who wants see things come to life. ... I mean, it's just this feeling I get when I see a movie I love.
If you have not had direct firsthand experience of loving a category of person - a person of a different race, a profoundly religious person, things that are real stark differences between people - I think it is very hard to dare, or necessarily even want, to write fully from the inside of a person.
At times, I come across as crude or crass, that irritates you when I come across like a Neanderthal or a babbling idiot at times. But I like to be that person. I like to show you all that person because that's who you come to see.
I like to investigate all different kinds of people, I guess, and find out what makes them who they are, and try to be honest in the portrayal, and truthful, and find out how to understand that person, how to communicate that person's experience.
I have a box of evidence that's going to a certain person should anything happen to me, so if you top me off, it's still going to that person, and the truth will come out.
Not that I've always loved the movie when they finally come out, or if they ever come out-because many of them don't come out-but I've gotten to work with really good story editors and stuff like that.
I don't go to shows because I just want to listen to the music performed live. I want to get to know the person who's performing it. Or I want to, like, take away a sense that I had an experience that nobody else is going to have again, or a unique experience for that moment.
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