A Quote by Michael Jai White

I was pretty much a child of Monty Python. I grew up loving that type of humor and even structured a lot of humor in the same fashion. — © Michael Jai White
I was pretty much a child of Monty Python. I grew up loving that type of humor and even structured a lot of humor in the same fashion.
I was pretty much a child of 'Monty Python.' I grew up loving that type of humor and even structured a lot of humor in the same fashion.
I love the humor of 'Monty Python.' I always remember being so impressed by how violent 'Monty Python' are, actually, when you look at what they do. Terry Gilliam has a great way of kind of proposing violence.
One question about a joke is, how well is the strangeness of the situation resolved? At 'The New Yorker', we retain a lot of incongruity, tapping the playful part of the mind - Monty Python-type stuff. We also try to use humor as a vehicle for communicating ideas. Not editorial comment, but observation.
I just play to progressive audiences. You know, if they're watching Discovery Channel, History Channel, that kind of thing, "Monty Python" have already laid the groundwork. They're known around the world. People like that kind of surrealist, left-field humor, and that's what I do. And "Saturday Night Live," a lot of American humor. "The Simpsons," above all, the weird, left-field humor, which I love. And sardonic. So that's all I'm doing. I find that audience, and they're in every developed country around the world.
I like musicals that are sometimes comedic, but I haven't even seen the Monty Python musical, and I'm a huge Monty Python fan.
I'm a prankster with a Monty Python sense of humor that somehow gets misrepresented in those tacky supermarket publications as bratty, snotty, and rude.
In the office, I actually act quite demented the whole day. Like Monty Python. That's my favorite kind of humor. My assistants sometimes ask me to leave.
I grew up in a family that was very barbed and difficult, and there was a lot of humor. None of it was painless humor. All of it was at someone else's expense. It was kind of always about power.
I grew up on 'Monty Python.'
At the end of Season Four of 'Mr. Show,' instead of doing another season, everyone just thought they wanted to go and do a movie. Kind of like Monty Python. Monty Python went right into 'And Now For Something Completely Different,' and everyone kind of compared 'Mr. Show' to Monty Python.
I think I was the only person in my experimental film class doing comedy. But my sense of humor and a lot of comedy that I love is quite surreal and strange, you know? You could argue that 'Monty Python' is experimental film. It just happens to be really funny.
I'd grown up loving English films. I was a huge Monty Python fanatic as a kid.
I'd grown up loving English films, I was a huge Monty Python fanatic as a kid.
An interesting difference between African-American humor and Jewish humor, in it's kind of basic or maybe most austere type form is, African-American humor, some of it comes out of playing the dozens in which you insult the other person or insult the other person's mother, and so much of Jewish humor is like, you're insulting yourself. It's totally self-deprecating.
I'll speak for myself, but there's a lot of humor to be found in sarcasm and darkness. You talk to any paramedic, they survive by developing a pretty off-kilter sense of humor.
I mean, yeah, I'm sure that Python and the other things have paved the way for a greater understanding of the British sense of humor, but I don't think it's all that different than the American sense of humor.
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