A Quote by Michael Jai White

There's people saying that 'Jackie Brown' was a blaxploitation movie, when there's nothing at all blaxploitation about it other than Pam Grier being in it. — © Michael Jai White
There's people saying that 'Jackie Brown' was a blaxploitation movie, when there's nothing at all blaxploitation about it other than Pam Grier being in it.
I grew up watching those blaxploitation movies. Ron O'Neal, Richard Roundtree, Jim Brown, Pam Grier. For the first time, I saw 'The Negro' get one over on 'The Man.'
The first movie I ever saw was a blaxploitation movie. It was called 'Monkey Hustle.' Like I said, just listen to the name. That's a blaxploitation movie. It had these incredible, bigger-than-life images of people who looked like I did. Or who looked like I wanted to look like.
'Luke Cage' came out in 1972 at the height of the blaxploitation era. It was a literary response to this notion of blaxploitation movies. It was the first time in American culture that Hollywood was embracing black movies.
One of my favorite Tarantino films is 'Jackie Brown,' and 'Jackie Brown' does it so well, where I'm watching the back half of that movie, and I don't know which side Jackie Brown is playing. I think it's really ingenious for Tarantino to keep us in the dark on that.
I love a lot of the '70s singers: Pam Grier from the 'Foxy Brown' movie, Diana Ross, Tina Turner. They've always been able to embrace their hair, and they've never been afraid to take risks and go all out and make it thick and fun and a statement at the same time.
I throw it all in there, Kung Fu, blaxploitation, horror.
I probably wanted to be Pam Grier growing up.
I imagine it was much different in the 1970s. That was the Renaissance for black actors, albeit in blaxploitation movies. There was a much greater preponderance of work then than there is now.
All Blaxploitation is, is the opportunity for an African-American cast or lead actor or actress to do the same things that a white action hero gets to do.
I worked at Warner Bros. for a while. I was the head of the minority talent casting. It was like pre-Spike Lee and post-blaxploitation era.
Movies and television have a way of using a soundtrack not just to create a mood but to literalize it. You could always count on a master class in splitting the difference between artistry and obviousness during the so-called Blaxploitation era.
What happened when 'Sweetback' made all that money, the studios were in a very difficult position. They wanted the money, but they didn't the message. This marked the advent of the caricatures which became known as blaxploitation.
I lived right on the borderline of a black neighborhood. So I could go into the black area and then there'd be these ghetto theaters that you could actually see the new kung fu movie or the new blaxploitation movie or the new horror film or whatever. And then there was also, if you went just a little further away, there was actually a little art house cinema. So I could actually see, you know, French movies or Italian movies, when they came out.
Blaxploitation films were black films targeting black people. They were films made to appeal to a culture in a way that was supposed to be unfiltered.
I'm a big genre fan. I'm a big science fiction nerd and horror film nerd. I'm obsessed with Pam Grier. I wanted to be her for all of my teenage years.
I wasn't trying to top Pulp Fiction with Jackie Brown. I wanted to go underneath it and make a more modest character study movie.
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