A Quote by Michael Johnson

Don't shoot for something unattainable - completely outside of your nature or opportunity. — © Michael Johnson
Don't shoot for something unattainable - completely outside of your nature or opportunity.
An act of meditation is actually an act of faith--of faith in your spirit, in your own potential. Faith is the basis of meditation. Not of faith in something outside you--a metaphysical buddha, an unattainable ideal, or someone else's words. The faith is in yourself, in your own 'buddha nature.' You too can be a buddha, an awakened being that lives and responds in a wise, creative, and compassionate way.
Celebrity is this thing that's unattainable. This unattainable lifestyle. This unattainable social status. But there's nothing more commonplace than dying from hot sauce.
But love's true nature remains forever beyond the grasp of all our faculties. It is far greater than any feeling or emotion and completely surpasses any act of human kindness. It is the one sheer gift of contemplation, completely unattainable by autonomous human effort. The realization of this love always remains mysterious.
I don't know why you'd want to say your work comes from nature, because art is related to perception, not nature. All abstract artists try to tell you that what they do comes from nature, and I'm always trying to tell you that what I do is completely abstract. We're both saying something we want to be true.
The Device experience was amazing. I enjoyed working with everyone that I was blessed with the opportunity to work with, and you learn so much going outside of your normal world and outside your box, so to speak.
I never have been a musician; I'm not actually capable. Because I can't even pretend to acquire the gift, all of my first feelings about art are still attached to music. I look at it yearningly, I look at it wonderingly. I behold it from afar, as something unattainable, something outside of myself, from which I can take nourishment, but I can't domesticate and master.
If you're outside the path of totality eclipse, if there's any way you can get into the path of totality for the eclipse, do it. Take the day off. Take the kids out of school. This is a once-in-a-lifetime opportunity for most people to see a total eclipse, and it is one of the grandest sights in all of nature. It's something you'll always remember, and you'll pass stories of it onto your grandchildren.
What acting does bring that music doesn't bring for me is the opportunity is the opportunity to be completely different in every way from whom you normally are, the person that you are when you wake up in the morning is who you are in your life. But to take that and have the opportunity to be the complete opposite of that, is the excitement of it.
I feel like women are so specific and special, that there's no point as a woman to emulate somebody. If you shoot for a masculine direction but be yourself, you're going to get something completely new, because your femininity will show up.
If you shoot for the stars and hit the moon, it's OK. But you've got to shoot for something. A lot of people don't even shoot.
I love the opportunity to shoot digital because you can shoot so many takes, it's really malleable, it's a ton of fun, and it is easy.
I love that you can shoot something on your phone, or shoot something on these small Cannon cameras, and edit it overnight and get it out there the next day and potentially go viral. And that's huge. It really takes the middle-man out. It allows anybody to become a content creator.
I have good mid-range shot and I can shoot threes, but in Europe coaches didn't want me to shoot outside because I was tall and big.
We are risk averse by nature - but the only way you can reach your full potential is by taking chances. Understand that you are capable of far more than you've achieved, believe that you have something of value to share with the world, and take care to step outside of your comfort zone and into your greatness. Your courage will inspire others to do the same.
Somebody comes to your house. You know they're coming, so it's not a surprise. And they give you an envelope that has your scenes in it. And they sit in the car outside for a half an hour while you read your scenes, then they ring your doorbell and you give your scenes back. Then you shoot the movie a few weeks later or something. The next time you see your scenes is the night before you start shooting. I never read the script [Blue Jasmine], so I didn't really know what it was about.
When you shoot, that is opportunity number one to make a statement. When you edit, you have opportunity number two to make your statement. It could be an affirmation of your first choice or could go off in another direction.
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