A Quote by Michael Keaton

From an art perspective, I dont know how you get better than Beetlejuice. In terms of originality and a look, its 100% unique. — © Michael Keaton
From an art perspective, I dont know how you get better than Beetlejuice. In terms of originality and a look, its 100% unique.
From an art perspective, I don't know how you get better than 'Beetlejuice.' In terms of originality and a look, it's 100% unique.
It's very unique. When you have someone who's lucky to get a minute in a game come up and tell you how you can be better when he's two years older than you, it's such a selfless act. Everyone is willing to tell you how to get better.
Originality is another criterion of aesthetic value. We may formulate an originality principle, according to which highly valuable works of art provide hitherto unavailable insights.... Notice that, although originality is a necessary condition of high aesthetic value, it is far from a sufficient condition. Many original works have little or no aesthetic value. An artwork may present a novel but uninteresting perspective, or one that is original but wrong.
I wanted to be Beetlejuice. I watched nonstop 'Beetlejuice' and 'The Princess Bride' growing up.
Anyone who tells you that they know, they just know what happens when you die, I promise you, you dont. How can I be so sure? Because I dont know and you do not possess mental powers that I do not.
I understand the rules of Superman - not necessarily better than anyone else - but better than a normal filmmaker would. After doing 'Watchmen' and digging that deep into the why of superheroes, when Superman is presented to you, I felt like I was in a unique position to say 'I get this guy. I know what this is.'
I understand the rules of Superman - not necessarily better than anyone else - but better than a normal filmmaker would. After doing 'Watchmen' and digging that deep into the why of superheroes, when Superman is presented to you, I felt like I was in a unique position to say 'I get this guy. I know what this is.
Character is doing the right thing even when it costs more than you want to pay. When it comes to character, you dont have to be sick to get better. Its easier for a good person to get better than for a bad person to get good.
The entire 'my art is better than your art' thing really gets under my skin. The fact of the matter is: Your art IS better than my art... at being what it is. So what? It just so happens that my art is better than your art, at being what it is.
I dont think you can look for love. All you can do is get yourself in a situation where you dont discourage something that may be rather nice.
In so many millennia, the humans never did figurs love out. How much is physical, how much in the mind? How much accident and how much fate? Why did perfect matches crumble and impossible couples thrive? I dont know the answer better than they did. Love simply is where it is.
'Beetlejuice' was a romp, man. 'Beetlejuice' was fun. I've never had so much fun in my life.
I think when you have kids, it definitely makes you look at things from a different perspective, but I think that the biggest thing it's done is it's made me look at things from a different perspective from a professional standpoint in how you analyze things and how you look at things and how you react to things.
I dont think you should give away your name and face to something you dont believe 100-percent in.
I think didactic art is boring. I mean, I love it in terms of, like, some of the historical precedents that I've learned from. You needed that. We needed those building blocks in terms of - you know, when I look at a great Barbara Kruger, for example, and you're thinking about, you know, the woman's position in society - you know, she found a way of making it beautiful, but at the same time it's very sort of preachy, you know what I mean?
Always dream and shoot higher than you know you can do. Don't bother just to be better than your contemporaries or predecessors. Try to be better than yourself. An artist is a creature driven by demons. He don't know why they choose him and he's usually too busy to wonder why. He is completely amoral in that he will rob, borrow, beg, or steal from anybody and everybody to get the work done. The writer's only responsibility is to his art.
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