A Quote by Michael Keaton
I played a lot of sports when I was a kid so I get in that ballgame mindset of being really, really respectful, but at same time saying to yourself, "Don't back down a single inch, hang with these guys if you can." If they throw it high and tight you have to stand in there, you can't take yourself out of that moment.
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I played a lot of sports when I was a kid so I get in that ballgame mindset of being really, really respectful, but at same time saying to yourself, 'Don't back down a single inch, hang with these guys if you can.' If they throw it high and tight you have to stand in there, you can't take yourself out of that moment.
Having a kid motivates you to really take stock of yourself and how much of yourself you want to be reflected back in the actions of your kid.
We toured with Iron Maiden and we opened and they'd come in later and I didn't have a lot of time to get to hang out with those guys. Whenever you did, whether it was sitting down at catering or something, you tried to take advantage and just hang out and talk and trade stories.
Look after yourself, get rest, get a facial, get a hair treatment, eat really well, work out, get a personal trainer. And that's really the key: to take care of yourself and not burn out.
A lot of people, for example, live an anxious life. They don't realize they have a super-high level of anxiety. So we're gonna work on really writing down how anxious you feel at the moment you wake up. There's nothing wrong with it; the point is you learn to evaluate yourself and regulate yourself.
I take things very seriously, and I give myself time to come down and to ramp up, and it's an inside spiritual journey for me. I feel like acting is a way of feeling your personality, and it's really special. Special to have this kind of effect on people. You can only have that effect if you're really outside of yourself. You can't look at yourself and do what I do at the same time. I have done it that way in the past, but it doesn't really work. I can only soar within the parameters of time, and I use music analogies.
Do not let yourself get in your own way. Don't judge yourself and knock yourself down. There is enough of that out there already. Remember: you are an artist, and you bring something special to this craft. Take in notes and criticism, but don't let them define you. Don't try to become a watered down version of yourself.
After Stand By Me came out, people were telling me, 'You're so good,' 'You're going to be a star,' and things like that. You can't think about it. If you take it the wrong way, you can really get high on yourself. People get so lost when that happens to them. They may think they have everything under control, but everything is really out of control. Their lives are totally in pieces.
You can't hold back. You can't think of the subtleties of playing. You just have to get out and really bare it all, and hopefully you don't fall off the plank. And if you do, hey, pick yourself up, dust yourself down, and start all over again.
It takes time to understand yourself, to go inside yourself and to question yourself and really take yourself to task. That's self-expression.
When you've got four people to get dressed to get out the door, you don't really tend to spend a lot of time on yourself. But that's the way I roll anyway. I was never one to do my hair and make-up just to go down to the market, so it's really not that much different. If I get a little eye cream on, I feel like I'm ahead of myself.
It means abandoning being a poet, abandoning your careerism, abandoning even the idea of writing any poetry, really abandoning, giving up as hopeless - abandoning the possibility of really expressing yourself to the nations of the world. Abandoning the idea of being a prophet with honor and dignity, and abandoning the glory of poetry and just settling down in the muck of your own mindYou really have to make a resolution to write for yourself, in the sense of not writing to impress yourself, but just writing what your self is saying.
At eight o'clock the curtain goes up and that's it, you're out there with yourself, the audience, the other players. There's no "take two" business. You're on. The great thing is the rehearsals, too. When you're bouncing around on film sets and TV sets you don't really get the opportunity to - generally speaking - rehearse much. With theater you're kind of four-to-five weeks locked down in the room with the guys figuring stuff out. It's back to play school.
It was really cool coming back here to Chase Field. I played here in high school and went to a lot of games as a kid.
I love to make music, and if I could do this forever I'd be happy. But if I can help any other kid out there or anyone - and show them that "life throws weird stuff at you all the time. It's OK to get down, but it's bringing yourself back from that that's really going to make you who you are," if I can help anyone out there feel a little bit less alone or make them feel like their voice is being heard through me or my music, that is the goal.
A single is really quick, man. You can get it out, and in two months have it on your merch table. And albums can take a really long time. But when you get done with an album, it's a lot more fulfilling.
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