A Quote by Michael Keaton
In high school, I was too shy to perform. It's one thing to get laughs from your family, to be funny at parties and in class. It's another thing to get up on the stage.
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I was horribly shy all through grade school and high school. But somehow I got up the nerve to audition for one play in high school - 'Auntie Mame.' I got a small part as the fiancee who comes on in the end. I got laughs. I wasn't shy at all doing the part. I can do anything on stage and write it off as a character.
As quickly as you can go 4-1, you can go 1-4. And the whole objective is not to get too high and not to get too low. It's one thing to tell somebody that and explain it, but it's another thing to really buy in, to have felt that and understand what it means to stay even-keel. That's what you have to be in this league.
I got into trouble a lot in school. They say you're a disturbance in class. You're a distraction, they're moving you around. You never really get rewarded in class for being funny. You're a disturbance. But the funny kid is often witty and clever and quick... they finally get a chance to express themselves when they get out of school.
I didn't used to do shows, because I used to be so shy. We'd perform, and I'd be at the back, thinking of another song. I was so shy, I ain't never getting in front of the camera; I would never get on stage.
I have horrible stage fright - you know how you go through the bi-polar stage fright thing? Then you go on drugs to get over the stage fright and perform, but then you're not funny at all.
I went to a French immersion school, and French-Canadian improv is a big thing, and we had an improv team at school, and 12 of us would get up and make things up against other elementary schools. I'd always wanted to perform, and that was just another extension of it.
.. I get more of a dreamy thing from the audience - it's more of a thing that you go up into. You get into such a pitch sometimes that you go up into another thing. You don't forget about the audience, but you forget about all the paranoia, that thing where you're saying, 'Oh gosh, I'm on stage - what am I going to do now ?' - Then you go into this other thing, and it turns out to be like almost like a play in certain ways
The saddest thing was actually getting fed up with one another. It's like growing up in a family. When you get to a certain age, you want to go off and get your own girl and your own car, split up a bit.
I was in high school, trying to get out of high school. The only thing slowing me up was grades.
For any athlete growing up, the Olympics is the one thing you watch with your family, and it's the one thing you dream about. Seeing your country's flag go up as you get a gold medal is the best thing you can achieve.
It's one thing to execute dishes on your own time for family and friends, but quite another to perform and be judged in a competition. And that's what cooking in a high profile restaurant is. It's a competition. You're up against every other three-star restaurant in your city, and if you want to stay in business, you'd better deliver.
Get your education. The number of guys who are blessed to be in the league is so small compared to the number of high school players [who want to play in the league]. But one thing you can do is get your college education. If you are blessed enough to get a scholarship to play college basketball, make sure you get your college degree, too, then move on from there.
People may say I'm difficult but I'm not. I'm a bit shy but it's funny how I can sing in front of an audience and get up on a stage.
When you come from the working class and you do well enough whereby you can provide a little bit better for your family, get a decent roof over their head and send them to a good school, that's considered a good thing.
I stopped going to high school when I met Big Pun, which wasn't the smartest thing. So I never got my diploma. When I went to prison, it's mandatory to get your GED if you don't have a high school diploma.
I think, as a comedian, the funniest you can be is with people you know, and [whom] you've known for years, in a pub. That's as funny as you get, and so the aim [while stand-up] is to get that funny on stage with 5,000 strangers, to get that funny in a room where people shouldn't be listening but they are.
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