A Quote by Michael Keaton
The first feature film I did, when I did 'Night Shift,' I improvised quite a bit because I would improvise at the audition, so sometimes I would return to the original lines, and then when I was on set, I would improvise even more.
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Acting is constricted because you have the lines. But I improvise with it and what I learn on the set. I improvise rhythms and just changes.
When we were doing 'Freaks and Geeks', I didn't quite understand how movies and TV worked, and I would improvise even if the camera wasn't on me. I thought I was helping the other actors by keeping them on their toes, but nobody appreciated it when I would trip them up. So I was improvising a little bit back then, but not in a productive way.
'Quick Change' was my first real movie. It was an interesting audition process because there were no lines in the script. Bill Murray's character would say something, and Geena Davis and Randy Quaid would say something, and then it would just say, 'The cabbie speaks.' How do you audition for that?
Sometimes we had to improvise. I hate to improvise because I felt like I couldn't find words.
Sometimes, when I have to learn the lines in German and French, it's that much more difficult because it doesn't just sink in automatically, organically. I have to memorize it. It's a tricky thing, as well, as when you improvise, sometimes you want to say something but you don't know how to put it. It's more difficult than in your mother tongue. It's a challenge but, at the age of fifteen, I put myself up for it and I was aware that it would be an obstacle and many times.
I wouldn't mind removing all the mistakes I have made. That would be exhausting and take forever. Honestly, it's one of the spells of my life that has been the most perfect. Not because I did the job perfectly, because of course I did it very imperfectly, but because I enjoyed it so much. What would I change? I complain a lot. I whinge, I more or less communicate in levels of complaint so I wish sometimes I didn't just spend all my time saying, 'I'm working so hard, what do I get in return for this?'.
The 'Day Shift' songs are things that would unfold during the daytime. 'Night Shift' is what would unfold during the nighttime. So, that's how I put that whole thing together. I did both all on one album budget.
At a certain point, I started playing improvised music. After a couple of years of this, I did a little bit of analysis and found most improvised music the kind I was listening to at least, which was mainly European to be as, if not more, formulaic than any other kind of music. For example, improvised pieces would often begin and end in the same way.
I would always pick pop songs and would sing them even if they were not correct for the audition - which didn't always get me a lot of jobs, but sometimes they did.
The Novelist As Teacher”: “I would be quite satisfied if my novels (especially the ones I set in the past) did no more than teach my readers that their past – with all its imperfections – was not one long night of savagery from which the first Europeans acting on God’s behalf delivered them.
Usually I like to improvise. Sometimes, depending on the nature of the piece, I like to improvise because I think it brings certain freshness and a reality to it, as long as it doesn't go too far out of the box.
Usually I like to improvise. Sometimes, depending on the nature of the piece, I like to improvise because I think it brings a certain freshness and a reality to it, as long as it doesn't go too far out of the box.
Every time I sit down in front of my piano, I like to improvise with the instrument. It depends on my mood of that day what kind of melodies and rhythms I am playing around. Sometimes, even before starting to play I already have a quite clear picture of a song I would like to compose, or at least the sound of it.
See, that's the thing: I'm not one of those actors who thinks, 'God, I've got to improvise and make it my own.' No, my first job as an actor is to take what's written and make it work. And then, if they want me to improvise, I'll do that.
I would love to do more acting; I really would love to do it, particularly character acting. I'm a character type of actor; I love situations where I've got a bit of room to improvise on the character.
My favorite lineup is just a trio, because then every night you can improvise and change the repertoire. Keyboards and brass can be great, but it puts you in a different ballgame because you're not quite as free. You have to stick to the arrangement of the song.
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