A Quote by Michael Kenna

The photographer Ruth Bernhard used to tell me that this is like asking somebody how they evolved their signature. It is not something I've ever worked on consciously. I think style is just the end result of personal experience. It would be problematic for me to photograph in another style. I'm drawn to places and subject matter that have personal connections for me and I photograph in a way that seems right. Where does it all come from, who knows?
I think you reveal yourself by what you choose to photograph, but I prefer photographs that tell more about the subject. There's nothing much interesting to tell about me; what's interesting is the person I'm photographing, and that's what I try to show. [...] I think each photographer has a point of view and a way of looking at the world... that has to do with your subject matter and how you choose to present it. What's interesting is letting people tell you about themselves in the picture.
This is how you can tell a real photographer: mostly, a real photographer does not say 'I wish I had my camera on me right now'. Instead a real photographer pulls out her camera and takes the photograph.
What matters is not what you photograph, but why and how you photograph it. Even the most controversial subject, if depicted by a sensitive photographer with honesty, sympathy, and understanding, can be transformed into an emotionally rewarding experience.
Balling is balling; it is all just basketball for me and I'm used to playing both games, so it really does not matter if it is international style, American style; it does not matter at all for me.
Oddly enough, I suppose, I don't give much thought to my style, and I don't attempt to be consistent - except within a story. You ask if I struggled to find my style. It seems to me that style - in other words, a way of thinking and doing things - is innate. You can try to will it to be different, but it's like a signature - you can't change its fundamental nature.
In making portraits, I refuse to photograph myself as do so many photographers. My style is the style of the people I photograph.
How foolish of me to believe that it would be that easy. I had confused the appearance of trees and automobiles, and people with a reality itself, and believed that a photograph of these appearances to be a photograph of it. It is a melancholy truth that I will never be able to photograph it and can only fail. I am a reflection photographing other reflections within a reflection. To photograph reality is to photograph nothing.
Can’t you even tell me if I’m on the right track?" Buckminster purred, and Dad shrugged his shoulders again. "But if you don’t tell me anything, how can I ever be right?" He circled something in an article and said, "Another way of looking at it would be, how could you ever be wrong?
I dress according to the requirement of the film, as a true actor. Off the camera, I'm just me. I have my preferences and my personal style. Before I step out, I look into the mirror just to confirm that my style is intact. Beyond this, it doesn't matter.
I think style is both something that you have naturally and something you need to study. The most important thing is to find your personal style, your personal difference and choose things that suit you best and bring out your personal attributes.
A photograph records both the thing in front of the camera and the conditions of its making... A photograph is also a document of the state of mind of the photographer. And if you were to extend the idea of the set-up photograph beyond just physically setting up the picture, I would argue that the photographer wills the picture into being.
I find that my entire life has come to me, and things happened without me planning them. You know, I never asked to photograph Princess Diana, and that made me more famous than I wanted. I never asked to photograph Madonna, and that pushed me to another level. There are things that just take you into the limelight.
I walk in the park every day, and when people come and ask for a photograph, I say, "Oh, my God!" It means they recognize that I have been doing something right and they want to have a photograph taken with me.
It's like he would take a photograph of Sam, and the photograph would be beautiful. And he would think that the reason the photograph was beautiful was because of how he took it. If I took it, I would know that the only reason it's beautiful is because of Sam. I just think it's bad when a boy looks at a girl and thinks that the way he sees the girl is better then the girl actually is. And I think it's bad when the most honest way a boy can look at a girl is through a camera. It's very hard for me to see Sam feel better about herself just because a boy sees her that way.
My personal style reflects my music. My music and how I dress is just how I express myself; it's just me. My music is urban pop, and my style of dressing is urban but still girly. I like that combination. The contrast is very nice.
The documentary style is an incredibly flexible and useful one. It's a wonderful tool for establishing the credibility of the version of things that's in the photograph - a kind of rhetorical device or rhetorical strategy. It's always felt very natural to me, because I want a person to end up thinking about the world, and to think about it in a way that is transformed by the experience of art.
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