A Quote by Michael Kimmelman

All writers, all storytellers, are imposing their own narrative on something. — © Michael Kimmelman
All writers, all storytellers, are imposing their own narrative on something.
I'm obsessed with this idea of storytellers and people who have a narrative, and sometimes sustain a relationship because they're telling a narrative and someone is listening to that. Often the nature of the relationship is determined by how well they tell the story, or someone else's ability to suspend disbelief, or infuse into their narrative something which they may not even be aware of.
Let's stop reflexively comparing Chinese writers to Chinese writers, Indian writers to Indian writers, black writers to black writers. Let's focus on the writing itself: the characters, the language, the narrative style.
I'm more concerned with getting them to find and strengthen their original voice as writers rather than imposing my own subjective tastes, judgements or sensibility on the project.
To write a good memoir you must become the editor of your own life, imposing on an untidy sprawl of half-remembered events a narrative shape and an organizing idea. Memoir is the art of inventing the truth.
I feel that there are two kinds of writers. I feel that there are writers who are storytellers and then there are those just working out their obsessions. I think I'm a combination. I think, at least for these books, I'm going with fear. I've always been interested in fear. Fear is something I've dealt with in life, and I think it's the main motivating factor of everything, almost. From sex to politics.
Writers are storytellers. So are readers.
People love talking about writers as storytellers, but I hate being called that: it suggests I got it from my grandmother or something, when my writing really comes out of silence. If a storyteller came up to me, I'd run away.
Why has mankind had such a craving to be imposed upon? Why this lust after imposing creeds, imposing deeds, imposing buildings, imposing language, imposing works of art? The thing becomes an imposition and a weariness at last. Give us things that are alive and flexible, which won't last too long and become an obstruction and a weariness. Even Michelangelo becomes at last a lump and a burden and a bore. It is so hard to see past him.
This unceasing interplay between experience and narrative is a uniquely human attribute. We are the storytellers, the ones who put life into words.
Writers know - especially new writers - [that] a lot of it [creative process] is the prewriting stage, the talking, brainstorming, the narrative arc and the character sketches.
I think our storytellers - our songwriters should be great storytellers, and they should be mountain climbers and explorers, because music is something that can cross all different borders.
I guess when I'm frightened or in pain or maybe very bored I've tried to hold myself together by imposing a narrative order on the experience as it happens.
Biggie and Big Pun were the best storytellers of the '90s. I would get wrapped up in the narrative of what they were talking about.
I sometimes wonder what those of us who are writers would become in a nonliterary culture - storytellers? Hermits?
Denver's commitment to giving contemporary storytellers the stage is crucial to the American theater. That's something embraced by 'Smash.' We should be telling our own stories.
For us, since we entered the MCU as storytellers, and we picked up the story with 'Winter Soldier,' we've been carrying a thread forward from that point, a narrative thread.
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