A Quote by Michael Korda
In 'Gran Torino,' Eastwood moves towards the climax of the movie not by staging a shoot-out, but by putting his weapons to one side and confronting the bad guys armed only with a cigarette lighter, guessing that as he reaches for it they will think he's drawing a pistol.
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In the movies, every crazy old fart needs a cool old car. Jack Nicholson drove a spiffy yellow 1970 Dodge Challenger two-door in 'The Bucket List.' In 'Gran Torino,' the cranky pensioner played by Clint Eastwood not only owned a 1972 GT Sport, he also used to build cars like that at the Ford plant.
People think I'll kill you if you make a joke. I compare it to Clint Eastwood. I've only seen Clint Eastwood in movies. You think if you make a joke to Eastwood, he might shoot you.
My favorite movie is 'The Outlaw Josey Wales' with Clint Eastwood, a guy who gets his family killed by the bad guys then goes on a journey of revenge, eventually discovering himself - very existential.
The more romance novelists that are out there, making romanticized ideas of vampirism for the kids, the more people want to see a real action movie, putting the bad guys where they belong, as the bad guys, and looking for a hero to come along and defend our very souls.
Alfred Hitchcock talked about planning out his movies so meticulously that when he was actually shooting and editing, it was the most boring thing in the world. But drawing comics isn't like shooting a movie. You can shoot a movie in a few days and be done with it, but drawing a comic takes years and years... That's the biggest part of doing comics: You have to create stuff that makes you want to get out of bed every morning and get to work.
I saw a man walk into my camera viewfinder from the left. He took a pistol out of his holster and raised it. I had no idea he would shoot. It was common to hold a pistol to the head of prisoners during questioning. So I prepared to make that picture - the threat, the interrogation. But it didn't happen. The man just pulled a pistol out of his holster, raised it to the VC's head and shot him in the temple. I made a picture at the same time. (On his 1968 photograph of the summary street corner execution of prisoner Nguyen Van Lem by South Vietnam's police chief, Lt. Col. Nguyen Ngoc Loan.)
He was sound asleep, his long legs stretched out in front of him, the blessed fire blazing, an empty bottle of wine by his side. He hadn't been shaved recently, and he looked rumpled, dissolute and beautiful. Like a fallen angel. She moved to stand in front of him and pointed the pistol directly at his heart. "I wouldn't do that if I were you," he murmured, and then he opened his extraordinary eyes. "It's always unwise to shoot the man you're in love with.
Increasingly as I've gotten older, I'm much more interested in what the reality of the shoot is going to be versus what the result of the shoot might be. I'm so bad at guessing what's going to be good and what's going to be bad - there doesn't seem to be any correlation between things that are within your control.
...one's movement towards the divine reaches its end only when one reaches God... 'The true Sabbaths are the rest laid up for the people of God' (Heb. 4:9). God can 'bear these sabbaths' (cf. Is. 1:13) because they are true. And the one 'in which the world is crucified' (Gal. 6:14) reaches these sabbaths of rest because he has clearly turned away from worldly things and returned to his own spiritual resting place. The one who arrives there will no longer be moved from his place, for there he finds quiet and tranquility.
Constantly moving, from side to side. Keeping your opponent guessing. If you stand still long enough, a wrestler is going to shoot for your legs. He's going to see where your legs are at. But, if you keep him constantly guessing, they can't get a bead on those legs. So, constant movement is probably one of the best takedown defenses you could use.
I feel confident that it will always keep everybody guessing, and yet not in that weird, maddening way where it's like, "Oh, come on, guys!" I think you will be freaked out by the end. I really do. I don't think you'll see it coming at all.
I like to play bad guys, since good guys are always beaten up several times during the movie. Bad guys are beaten only once, in the end.
I happen to think that as the Ukraine moves to the West, towards the E.U., eventually towards NATO, it will pave the way also for Russia moving towards the West. Because it will become a logical extension of the same process, and it will eliminate any imperial ambitions.
A movie is better than real life because in the movies only the bad guys die. Or you can pick the good movies where the bad guys die and only those. If you get tricked and a good person dies in the movie then you can rewrite it in your head so the good person lives and the part about death is superfluous.
I think if you're going to do a movie about Reagan, you do it about the fact that he created the huge deficit, that he armed the Mujahideen, that he armed Saddam, that he armed Iran, that he armed two-thirds of the Axis of Evil, and that he funded terrorists in Central America. He was, in my mind, a terrible president.
In 'Gran Torino,' I play a guy who's racially offensive. But he learned. It shows that you're never too old to learn and embrace people that you don't understand to begin with. It seems like nobody else got that message, I guess.
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