A Quote by Michael Kors
If you want to have longevity, then I think that you have to have a point of view, but at the same time still be elastic. Things evolve, the world changes, but people have to know you for who you are so they know what you stand for.
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I think it's important to understand Shari'a to be rooted in history - what we know about the history and what we don't know about the history. So then, if people want to argue, at least they're arguing from the same point and we know what we know, and we know what we don't know.
Every time I think I’m getting smarter I realize that I’ve just done something stupid. Dad says there are three kinds of people in the world: those who don’t know, and don’t know they don’t know; those who don’t know and do know they don’t know; and those who know and know how much they still don’t know. Heavy stuff, I know. I think I’ve finally graduated from the don’t-knows that don’t know to the don’t-knows that do.
I want people to know my political point of view. There's an appetite for that, almost an expectation. I also want to make people laugh, but I wouldn't want to do it at the expense of my point of view.
I'm convinced we all are voyeurs. It's part of the detective thing. We want to know secrets and we want to know what goes on behind those windows. And not in a way that we would use to hurt anyone. There's an entertainment value to it, but at the same time we want to know: What do humans do? Do they do the same things as I do? It's a gaining of some sort of knowledge, I think.
Stand-up is a weird animal. There are people who really want to know what you think about things, your opinion on life. But then there are people who think you're just that beautician in 'Legally Blonde,' who doesn't have opinions on anything. Or that I'm Stifler's mom and hot for it all the time.
As I experience life, my music is gonna evolve. At the same time, I still do tell the stories from my world because there are unlimited stories and unlimited people from that place. I'll always represent them. As my life begins to change and I do different things, I still want to be able to tap in and relate to them.
I don't know if I could do this with the same energy, and in the same way - all the costume changes and glitter and hair and makeup - all the time. When I'm in my 50s, I kind of think I'll want to be in a garden.
Reality can be elastic, and I want to see how elastic it can be, you know?
It's joyful in that there's another point of view on all things, you know, not just mine. That's why I like to write and collaborate with people. There's another point of view, and when those two things come together, and people work at it really hard, they get something that is the whole is more than the sum of - is that how you say that?
I don't want to know about the lives of other actors and I don't want people to know too much about me. If we don't know about the private lives of other actors, that leaves us as clean slates when it comes to playing characters. That's the point, they can create these other characters and I can believe them. I think if you're a good enough actor, that's the way to longevity in the film business. Keep everybody guessing.
I don't know if that's the best story for BoJack, long-term. I do love the world, and I love playing around in it and it feels like an elastic enough world that, any story I want to tell, I can tell about these characters in this world. I can talk about parents and children, husbands and wives, the troops, or Hollywood. It does feel like an endless playground at this point, it would be a shame if we cut it off early for fear of repeating the same things over and over again. But I am looking to move the story and character somewhat.
I always want to be a member in the audience, and I want to hear it from their point of view and see it from their point of view so I can know if it's good. But that's just my issues, not a real problem.
I was raised with this consciousness of being part of this global Muslim community. At the same time, I didn't even know if I wanted to be Muslim. It was this incredibly complicated moment: I just needed to balance these two things where you care about people on some deep level who are my co-religion and are being killed because of their religion. Then, at the same time, I'm like ah, I don't really know if I want this.
'Hedwig' was pretty much all the things I wanted to do that other people said I probably shouldn't do: drag, punk rock, stand-up comedy... You know, combine them all in a thing that's supremely uncommercial from the objective point of view.
What is irreversible in the Arab world is this intellectual revolution, the awakening that we can get rid of dictators. That is here, and the people have this sentiment and this political power. They feel that they can do it, and it's still there. At the same time, we don't know what is going to happen. So to be very quick by saying, "Oh, revolutions and Arab Spring," and - you know, what I'm advocating is to take a cautious optimism as the starting point of our analysis and to look at what is happening.
It's great that the Internet can enhance and speed up our communications and that computers can do all the things they do. It's fabulous. At the same time, it changes our priorities. For example, before I would always remember people's telephone numbers and now I don't know anyone's number. So what happens if computer systems go down but you still have landlines? Well, I couldn't call anyone because I don't know anyone's number.
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